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d anything to do with them. He would hope from this that if Mrs. Manderson heard him, she would take no notice of the supposed presence of her husband. So, pursuing my hypothesis, I followed the unknown up to the bedroom, and saw him setting about his work. And it was with a catch in my own breath that I thought of the hideous shock with which he must have heard the sound of all others he was dreading most: the drowsy voice from the adjoining room. What Mrs. Manderson actually said, she was unable to recollect at the inquest. She thinks she asked her supposed husband whether he had had a good run in the car. And now what does the unknown do? Here, I think, we come to a supremely significant point. Not only does he--standing rigid there, as I picture him, before the dressing-table, listening to the sound of his own leaping heart--not only does he answer the lady in the voice of Manderson; he volunteers an explanatory statement. He tells her that he has, on a sudden inspiration, sent Marlowe in the car to Southampton; that he has sent him to bring back some important information from a man leaving for Paris by the steamboat that morning. Why these details from a man who had long been uncommunicative to his wife, and that upon a point scarcely likely to interest her? Why these details _about Marlowe_? Having taken my story so far, I now put forward the following definite propositions: that between a time somewhere about ten, when the car started, and a time somewhere about eleven, Manderson was shot--probably at a considerable distance from the house, as no shot was heard; that the body was brought back, left by the shed, and stripped of its outer clothing, while the car was left in hiding somewhere at hand; that at some time round about eleven o'clock a man who was not Manderson, wearing Manderson's shoes, hat and jacket, entered the library by the garden-window; that he had with him Manderson's black trousers, waistcoat and motor-coat, the denture taken from Manderson's mouth, and the weapon with which he had been murdered; that he concealed these, rang the bell for the butler, and sat down at the telephone with his hat on and his back to the door; that he was occupied with the telephone all the time Martin was in the room; that on going up to the bedroom-floor he quietly entered Marlowe's room and placed the revolver with which the crime had been committed--Marlowe's revolver--in the case on the mantel-piece from
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