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rent heights, jutting forth in every direction without any seeming plan, but looking as if they might have crept together some cold winter's day for mutual warmth, or as if the middle house was a bantam trying to shield an overgrown brood, a solitary tower having the effect of a chicken on the mother hen's back. It was in one of the rooms of this odd residence that our young hero, Jem French, was born. His father, like his house, is decidedly odd. Mr. Joseph French was a man of ideas, not a farmer as you might suppose from his living in such a locality, but a Jack-at-all-trades, and in spite of the proverb, good at _all_. Therein lays the secret of his queer-shaped house. One of the little extensions is a tin shop where he mends the pots and pans of the neighborhood, or creates any new vessels desired. Another projection is devoted to carpenter work, and in a third addition he makes boots and shoes for his own family and cobbles for others. In the room above, with the big glass window, the rustic beaux and belles sit like statuary, while he preserves their pictures in ambrotypes. Each part of the building seems to be devoted to some specialty. But in one part the door is always found to be locked and the window carefully curtained, and even the children are forbidden to enter. In this room Mr. French still spends hours and hours, sometimes days and weeks, inventing, nobody knows what as yet. Jem early bid fair to become another such man as his father, though evidently that would not be to his pecuniary benefit, for the entire surplus earnings of his parent had thus far been spent in obtaining materials for further experimenting. Still Jem inherited the inventive talent. He was envied and admired by schoolfellows and playmates. Not even the richest among them could boast of owning such unique toys as Jem was constantly making. The little stream that ran through the meadow was spanned by miniature bridges of which he was sole architect. His sailing craft, of all kinds, and fully rigged, swam in the placid water. Dams were placed here and there, and sluice-ways conducted the water to its work of turning sundry over-shot wheels which in their turn operated little pumps or moved the machinery of a mill. He made his sisters various mechanical figures which moved to the swinging of a pendulum. Cardboard images were made to saw wood, fiddle, or dance for hours together, the motive power being obtained from sand running throu
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