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aths of the martyrs. A very handsome initial letter E, showing Queen Elizabeth and her courtiers, is also found in it. A Royal proclamation ordered that a copy of it should be set up in every parish church. From this time Foxe appears to have worked as translator and editor for John Day, and was for a while living in the printer's house. Archbishop Parker meanwhile had induced Day to cast a fount of Saxon types in metal. The first book in which these were used was Aelfric's 'Saxon Homily,' _i.e._ the Sermon of the Paschal Lamb, appointed by the Saxon bishop to be read at Easter before the Sacrament, an Epistle of Aelfric to Wulfsine, the Lord's Prayer, the Creed, and the Ten Commandments, all of which were included in the general title of _A Testimonye of Antiquity_, 'shewing the auncient fayth in the Church of England touching the Sacrament of the body and bloude of the Lord here publykely preached and also receaved in the Saxons tyme, above 600 yeares agoe.' Speaking of Day's Saxon fount, the late Mr. Talbot Reed, in his _Old English Letter Foundries_ (p. 96), says:-- 'The Saxon fount ... is an English in body, very clear and bold. Of the capitals eight only, including two diphthongs are distinctively Saxon, the remaining eighteen letters being ordinary Roman; while in the lowercase there are twelve Saxon letters, as against fifteen of the Roman. The accuracy and regularity with which this fount was cut and cast is highly creditable to Day's excellence as a founder.' Although this book (an octavo) bore no date, the names of the subscribing bishops fix it as 1566 or 1567. In the latter year appeared the Archbishop's metrical version of the _Psalter_, which he had compiled during his enforced exile under Mary. In connection with this it may be well to point out that Day printed many editions of the _Psalter_ with musical notes. In 1568 he used the Saxon types again to print William Lambard's _Archaionomia_, a book of Saxon laws. Amongst his other productions of that year must be mentioned the folio edition of Peter Martyr's _Commentary on the Epistle to the Romans_; Gildas the historian's _De excidio et conquestu Britanniae_, 1568, 8vo; and a French version of Vandernoot's _Theatre for Worldlings_, 'Le Theatre auquel sont exposes et monstres les inconveniens et miseres qui suivent les mondains et vicieux, ensemble les plaisirs et contentements dont les fideles jouissent.' Ther
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