things that are a lasting part of
our lives. However great may be the reaction against his work because of
the nine days' wonder about the identity of its creator, certain parts
of it, certain tales and certain verses and a play, will hold their own
against the years. Through such tales as "The Sad Queen," and such
verses as "The Dirge of the Four Cities," and "The House of Usna" even
eyes of little vision may see "eternal beauty wandering on her way,"
leaving about them a glamour as recurrent to the mind as sunset to the
skies.
THE END
APPENDIX
APPENDIX
PLAYS PRODUCED, IN DUBLIN, BY THE ABBEY THEATRE COMPANY AND ITS
PREDECESSORS, WITH DATES OF FIRST PERFORMANCES
IRISH LITERARY THEATRE AT ANTIENT CONCERT
ROOMS
May 8, 1899. "The Countess Cathleen." W.B. Yeats.
May 9, 1899. "The Heather Field." Edward Martyn.
IRISH LITERARY THEATRE AT THE GAIETY THEATRE
Feb. 19, 1900. "The Bending of the Bough." George Moore.
Feb. 19, 1900. "The Last Feast of the Fianna." Alice Milligan.
Feb. 20, 1900. "Maeve." Edward Martyn.
Oct. 21, 1901. "Diarmuid and Grania." W.B. Yeats and
George Moore.
Oct. 21, 1901. "The Twisting of the Rope." Douglas Hyde.
(The first Gaelic play produced in any theatre.)
MR. W.G. FAY'S IRISH NATIONAL DRAMATIC COMPANY AT ST. TERESA'S HALL,
CLARENDON STREET
Apr. 2, 1902. "Deirdre." "A.E."
Apr. 2, 1902. "Kathleen ni Houlihan." W.B. Yeats.
IRISH NATIONAL DRAMATIC COMPANY AT ANTIENT CONCERT ROOMS
Oct. 29, 1902. "The Sleep of the King." Seumas O'Cuisin.
Oct. 29, 1902. "The Laying of the Foundations." Fred Ryan.
Oct. 30, 1902. "A Pot of Broth." W.B. Yeats.
Oct. 31, 1902. "The Racing Lug." Seumas O'Cuisin.
IRISH NATIONAL THEATRE SOCIETY, MOLESWORTH HALL
Mar. 14, 1903. "The Hour-Glass." W.B. Yeats.
Mar. 14, 1903. "Twenty-Five." Lady Gregory.
Oct. 8, 1903. "The King's Threshold." W.B. Yeats.
Oct. 8, 1903. "In the Shadow of the Glen." J.M. Synge.
Dec. 3, 1903. "Broken Soil." Padraic Colum.
Jan. 14, 1904. "The Shadowy Waters." W.B. Yeats.
Jan. 14, 1904. "The Townland of Tamney." Seumas McManus.
Feb. 25, 1904. "Riders to t
|