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y would certainly not fly about at night-time thus had they not been disturbed. The enemy is marching through the wood southwards, and has frightened and driven the birds before it.' "I at once ordered the outposts to be reinforced, and the camp to be alarmed. Two hours later, the outposts were fighting fiercely with the foe, and I was able to realize that my camp and my division had been saved from surprise and destruction only by the keen observation and sagacity of a grateful gypsy." The archduke spent a large sum of money, some years ago, in endeavoring to turn the gypsies from their nomadic life, and to induce them to settle down, in order to devote their time and energies to the practice of the wonderful art of working metal, which they possess to so marked a degree, instead of roaming aimlessly about, and sometimes thieving, as is unfortunately their habit. He built a number of villages for them in the district surrounding Presburg, and organized gypsy settlements. But the scheme proved a failure. The Tziganes, true to the instincts that they have inherited from countless generations, abandoned the comfortable houses, the fields and blossoming gardens with which they had been provided by their imperial benefactor. They refused to till the soil, and commenced once more their interminable wanderings. In spite of this fiasco, the archduke still continues to consider himself as the protector of the Romanys, and remains proud of his title of "Gypsy Prince," being sagacious enough to realize that it is impossible for a race to eradicate from their character, in a comparatively short space of time, traits that have been theirs for hundreds, nay thousands of years; for the origin of these gypsies is still shrouded in mystery and lost in the gloom of prehistoric ages, although it is probable that they are of Persian descent. While Emperor William's taste as regards music meets with very widespread approval, and his gifts as a composer are very generally recognized, he has been less fortunate with regard to other branches of art; notably in the matter of painting, where he finds himself in frequent conflict with his people, especially with the great painters of his empire. Of all the muses there is none so truly democratic as that of pictorial art. The pictorial muse displays a truly republican intolerance of control on the part of either king or government. Hence it is only natural that Germany, which has produce
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