y resemble the designs executed by Gibbons, whose carving is
referred to later on.
It may be mentioned here that amongst the few churches in the city which
escaped the great fire, and contain woodwork of particular note, are St.
Helen's, Bishopgate, and the Charterhouse Chapel, which contain the
original pulpits of about the sixteenth century.
The famous Dr. Busby, who for 55 years was head master of Westminster
School, was a great favourite of King Charles, and a picture painted by
Sir Peter Lely, is said to have been presented to the Doctor by His
Majesty; it is called "Sedes Busbiana." Prints from this old picture are
scarce, and the writer is indebted to Mr. John C. Thynne for the loan of
his copy, from which the illustration is taken. The portrait in the
centre, of the Pedagogue aspiring to the mitre, is that of Dr. South, who
succeeded Busby, and whose monument in Westminster Abbey is next to his.
The illustration is interesting, as although it may not have been actually
taken from a chair itself, it shews a design in the mind of a contemporary
artist.
Of the Halls of the City Guilds, there is none more quaint, and in greater
contrast to the bustle of the neighbourhood, than the Hall of the Brewers'
Company, in Addle Street, City. This was partially destroyed, like most of
the older Halls, by the Great Fire, but was one of the first to be
restored and refurnished. In the kitchen are still to be seen the remains
of an old trestle and other relics of an earlier period, but the hall or
dining room, and the Court room, are complete, with very slight additions,
since the date of their interior equipment in 1670 to 1673. The Court room
has a richly carved chimney-piece in oak, nearly black with age, the
design of which is a shield with a winged head, palms, and swags of fruit
and flowers, while on the shield itself is an inscription, stating that
this room was wainscoted by Alderman Knight, master of the Company and
Lord Mayor of the City of London, in the year 1670. The room itself is
exceedingly quaint, with its high wainscoting and windows on the opposite
side to the fireplace, reminding one of the port-holes of a ship's cabin,
while the chief window looks out on to the old-fashioned garden, giving
the beholder altogether a pleasing illusion, carrying him back to the days
of Charles II.
The chief room or Hall is still more handsomely decorated with carved oak
of this time. The actual date, 1673, is over the do
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