g as one reasonably sensible man to
another, without any gammon about it; don't you think it is rank
nonsense to hold that one class of labor should be as well compensated
as another. Honestly now?"
The author sat back in his chair and gazed across the table at his
secretary. Finally, he said:
"My dear Scriver, you can't really mean what you say. You know that I
hold that all classes of labor should have exactly the same
compensation. The miner, the blacksmith, the preacher, the postal
clerk, the author, the publisher, the printer--yes, the man who sweeps
out the office, or who polishes boots, should each share alike, if this
world were what it should be--yes, and what it _will_ be. Why,
Scriver, you surely couldn't have read my book----"
"Read it? why, hang it, I _wrote_ it."
"You wrote it? The deuce you did! I always thought I was the author of
----"
"So you are. But didn't I take it all down in shorthand, and didn't I
whack it out on the type-writer, and didn't I go over the proof sheets
with you. And yet you ask me if I have read it!"
"Oh, yes, quite right, I see what you mean. Well, if you paid as much
attention to the arguments as you did to the mechanical production of
the book, I should think you would not ask if I really meant what I
said."
"Oh, I suppose you meant it all right enough--in a way--in theory,
perhaps, but----"
"My dear sir, allow me to say that a theory which is not practical, is
simply no theory at all. The great success of 'Gazing Upward,' has been
due to the fact that it is an eminently practical work. The
nationalization of everything is not a matter of theory. The ideas
advocated in that book, can be seen at work at any time. Look at the
Army, look at the Post Office."
"Oh, that's all right, looking at things in bulk. Let us come down to
practical details. Detail is the real test of any scheme. Take this
volume, 'Gazing Upward.' Now, may I ask how much this book has netted
you up to date?"
"Oh, I don't know exactly. Somewhere in the neighborhood of L20,000."
"Very well then. Now let us look for a moment at the method by which
that book was produced. You walked up and down this room with your
hands behind your back, and dictated chapter after chapter, and I sat
at this table taking it all down in shorthand. Then you went out and
took the air while I industriously whacked it out on the type-writer."
"I wish you wouldn't say 'whacked,' Scriver. That's twice you've use
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