there would yet be nothing
improbable in the invention and composition of minor poems without
writing materials; and the fact of his having composed one long poem,
throws no difficulty in the way of his composing short ones. We have
already seen that the author need not himself have remembered them all
his life. But this argument is not honest, for the critics who have
produced it agree in the same breath, when it suits their purpose,
that the Hymns, etc., are not Homer's--and in this I concur with
their, and the almost universal, opinion.

The remaining part of the analysis of the hostile argument has already
been disposed of in connexion with the first proposition.

It now remains to say a few words upon the authorship of the Odyssey.

V. The question, whether or not the two epics of the Iliad and
Odyssey were the works of the same poet, is a very different one from
that which we have just discussed. Distinct and separate, indeed, are
the inquiries whether Greece might produce, at certain intervals of
time, two great epic poets, selecting opposite subjects--and whether
Greece produced a score or two of great poets, from whose desultory
remains the mighty whole of the Iliad was arranged. Even the ancients
of the Alexandrine school did not attribute the Odyssey to the author
of the Iliad. The theme selected--the manners described--the
mythological spirit--are all widely different in the two works, and
one is evidently of more recent composition than the other. But, for
my own part, I do not think it has been yet clearly established that
all these acknowledged differences are incompatible with the same
authorship. If the Iliad were written in youth, the travels of the
poet, the change of mind produced by years and experience, the
facility with which an ancient Greek changed or remodelled his pliant
mythology, the rapidity with which (in the quick development of
civilization in Greece) important changes in society and manners were
wrought, might all concur in producing, from the mature age of the
poet, a poem very different to that which he composed in youth. And
the various undetected interpolations and alterations supposed to be
foisted into the Odyssey may have originated such detailed points of
difference as present the graver obstacles to this conjecture.
Regarding the Iliad and Odyssey as wholes, they are so analogous in
all the highest and rarest attributes of genius, that it is almost as
impossible to i