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ung man nodded. "You ought to be an artist. That's the way they feel--some of them." Uncle William beamed on him. "You don't say so! Must be kind o' hard work, settin' still and doin' art when you feel like that. I gen'ally go clammin', or suthin'." The artist laughed out, boyishly. He reached out a hand for the locket. But Uncle William held it a moment, looking down at it. "Things happen to _her_--every day," he said. "You can see that, plain enough. She don't hev to be most drowned to hev feelin's." He looked up. "When you goin' to be married?" "Not till we can afford it--years." The tone was somber. Uncle William shook his head. "Now, I wouldn't talk like that, Mr. Woodworth!" He handed back the locket and pushed up his spectacles again, beaming beneath them. "Seems to me," he said slowly, studying the fire--"seems to me I wouldn't wait. I'd be married right off--soon's I got back." "What would you live on?" said the artist. Uncle William waited. "There's resk," he said at last--"there's resk in it. But there's resk in 'most everything that tastes good. I meant to get married once," he said after a pause. "I didn't. I guess it's about the wust mistake I ever made. I thought this house wa'n't good enough for her." He looked about the quaint room. "'T wa'n't, neither," he added with conviction. "But she'd 'a' rather come--I didn't know it then," he said gently. The artist waited, and the fire crackled between them. "If I'd 'a' married her, I'd 'a' seen things sooner," went on the old man. "I didn't see much beauty them days--on sea or land. I was all for a good ketch and makin' money and gettin' a better boat. And about that time she died. I begun to learn things then--slow-like--when I hadn't the heart to work. If I'd married Jennie, I'd 'a' seen 'em sooner, bein' happy. You learn jest about the same bein' happy as you do bein' miserable--only you learn it quicker." "I can't give up my art," said the young man. He was looking at Uncle William with the superior smile of youth, a little lofty yet kind. "You don't allow for art," he said. "I dunno's I do," returned Uncle William. "It's like makin' money, I guess--suthin' extry, thrown in, good enough if you get it, but not necessary--no, not necessary. Livin's the thing to live for, I reckon." He stopped suddenly, as if there were no more to be said. The artist looked at him curiously. "That's what all the great artists have said," he commente
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