oman?
BUILDER. I didn't strike a woman--I struck my daughter.
MAYOR. Well, but she's not a child, you know. And you did resist the
police, if no worse. Come! You'd have been the first to maintain
British justice. Shake 'ands!
BUILDER. Is that what you came for?
MAYOR. [Taken aback] Why--yes; nobody can be more sorry than I--
BUILDER. Eye-wash! You came to beg me to resign.
MAYOR. Well, it's precious awkward, Builder. We all feel--
BUILDER. Save your powder, Mayor. I've slept on it since I wrote you
that note. Take my resignations.
MAYOR. [In relieved embarrassment] That's right. We must face your
position.
BUILDER. [With a touch of grim humour] I never yet met a man who
couldn't face another man's position.
MAYOR. After all, what is it?
BUILDER. Splendid isolation. No wife, no daughters, no Councillorship,
no Magistracy, no future--[With a laugh] not even a French maid. And
why? Because I tried to exercise a little wholesome family authority.
That's the position you're facing, Mayor.
MAYOR. Dear, dear! You're devilish bitter, Builder. It's unfortunate,
this publicity. But it'll all blow over; and you'll be back where you
were. You've a good sound practical sense underneath your temper. [A
pause] Come, now! [A pause] Well, I'll say good-night, then.
BUILDER. You shall have them in writing tomorrow.
MAYOR. [With sincerity] Come! Shake 'ands.
BUILDER, after a long look, holds out his hand. The two men exchange a
grip.
The MAYOR, turning abruptly, goes out.
BUILDER remains motionless for a minute, then resumes his seat at
the side of the writing table, leaning his head on his hands.
The Boy's head is again seen rising above the level of the
window-sill, and another and another follows, till the three,
as if decapitated, heads are seen in a row.
BOYS' VOICES. [One after another in a whispered crescendo] Johnny
Builder! Johnny Builder! Johnny Builder!
BUILDER rises, turns and stares at them. The THREE HEADS disappear,
and a Boy's voice cries shrilly: "Johnny Builder!" BUILDER moves
towards the window; voices are now crying in various pitches and
keys: "Johnny Builder!" "Beatey Builder!" "Beat 'is wife-er!"
"Beatey Builder!"
BUILDER stands quite motionless, staring, with the street lamp
lighting up a queer, rather pitiful defiance on his face. The
voices swell.
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