in she shakes her head.]

THE GIRL. Jim, do you love me true?

[For answer THE MAN takes her avidly in his arms.]

I ain't ashamed--I ain't ashamed. If 'e could see me 'eart.

THE MAN. Daisy! If I'd known you out there, I never could 'a stuck
it. They'd 'a got me for a deserter. That's how I love you!

THE GIRL. Jim, don't lift your hand to 'im! Promise!

THE MAN. That's according.

THE GIRL. Promise!

THE MAN. If 'e keeps quiet, I won't. But I'm not accountable--not
always, I tell you straight--not since I've been through that.

THE GIRL. [With a shiver] Nor p'raps he isn't.

THE MAN. Like as not. It takes the lynch pins out, I tell you.

THE GIRL. God 'elp us!

THE MAN. [Grimly] Ah! We said that a bit too often. What we want
we take, now; there's no one else to give it us, and there's no
fear'll stop us; we seen the bottom of things.

THE GIRL. P'raps he'll say that too.

THE MAN. Then it'll be 'im or me.

THE GIRL. I'm frightened:

THE MAN. [Tenderly] No, Daisy, no! The river's handy. One more or
less. 'E shan't 'arm you; nor me neither. [He takes out a knife.]

THE GIRL. [Seizing his hand] Oh, no! Give it to me, Jim!

THE MAN. [Smiling] No fear! [He puts it away] Shan't 'ave no need
for it like as not. All right, little Daisy; you can't be expected
to see things like what we do. What's life, anyway? I've seen a
thousand lives taken in five minutes. I've seen dead men on the
wires like flies on a flypaper. I've been as good as dead meself a
hundred times. I've killed a dozen men. It's nothin'. He's safe,
if 'e don't get my blood up. If he does, nobody's safe; not 'im, nor
anybody else; not even you. I'm speakin' sober.

THE GIRL. [Softly] Jim, you won't go fightin' in the sun, with the
birds all callin'?

THE MAN. That depends on 'im. I'm not lookin' for it. Daisy, I
love you. I love your hair. I love your eyes. I love you.

THE GIRL. And I love you, Jim. I don't want nothin' more than you
in all the world.

THE MAN. Amen to that, my dear. Kiss me close!

The sound of a voice singing breaks in on their embrace. THE
GIRL starts from his arms, and looks behind her along the
towing-path. THE MAN draws back against, the hedge, fingering
his side, where the knife is hidden. The song comes nearer.

"I'll be right there to-night,
Where the fields are snowy white;