hions of those
spirits who are concerned with what shall take their place. The
conditions that dictate our education, the distribution of our property,
our marriage laws, amusements, worship, prisons, and all other things,
change imperceptibly from hour to hour; the moulds containing them, being
inelastic, do not change, but hold on to the point of bursting, and then
are hastily, often clumsily, enlarged. The ninety desiring peace and
comfort for their spirit, the ninety of the well-warmed beds, will have
it that the fashions need not change, that morality is fixed, that all is
ordered and immutable, that every one will always marry, play, and
worship in the way that they themselves are marrying, playing,
worshipping. They have no speculation, and they hate with a deep hatred
those who speculate with thought. This is the function they were made
for. They are the dough, and they dislike that yeasty stuff of life which
comes and works about in them. The Yeasty Stuff--the other ten--chafed
by all things that are, desirous ever of new forms and moulds, hate in
their turn the comfortable ninety. Each party has invented for the other
the hardest names that it can think of: Philistines, Bourgeois, Mrs.
Grundy, Rebels, Anarchists, and Ne'er-do-weels. So we go on! And so, as
each of us is born to go his journey, he finds himself in time ranged on
one side or on the other, and joins the choruses of name-slingers.

But now and then--ah! very seldom--we find ourselves so near that thing
which has no breadth, the middle line, that we can watch them both, and
positively smile to see the fun.

When this book was published first, many of its critics found that
Shelton was the only Pharisee, and a most unsatisfactory young man--and
so, no doubt, he is. Belonging to the comfortable ninety, they felt, in
fact, the need of slinging names at one who obviously was of the ten.
Others of its critics, belonging to the ten, wielded their epithets upon
Antonia, and the serried ranks behind her, and called them Pharisees; as
dull as ditch-water--and so, I fear, they are.

One of the greatest charms of authorship is the privilege it gives the
author of studying the secret springs of many unseen persons, of
analysing human nature through the criticism that his work
evokes--criticism welling out of the instinctive likings or aversions,
out of the very fibre of the human being who delivers it; criticism that
often seems to leap out against t