ut the sunset, and not to care a
dime for a place where fortunes are fought for and made and lost all
day; or for a career that consists in studying up life till you have it
at your finger-ends, spying out every cranny where you can get your
hand in and a dollar out, and standing there in the midst--one foot on
bankruptcy, the other on a borrowed dollar, and the whole thing spinning
round you like a mill--raking in the stamps, in spite of fate and
fortune."

To this romance of dickering I would reply with the romance (which is
also the virtue) of art: reminding him of those examples of constancy
through many tribulations, with which the role of Apollo is illustrated;
from the case of Millet, to those of many of our friends and comrades,
who had chosen this agreeable mountain path through life, and were now
bravely clambering among rocks and brambles, penniless and hopeful.

"You will never understand it, Pinkerton," I would say. "You look to the
result, you want to see some profit of your endeavours: that is why you
could never learn to paint, if you lived to be Methusalem. The result
is always a fizzle: the eyes of the artist are turned in; he lives for
a frame of mind. Look at Romney, now. There is the nature of the artist.
He hasn't a cent; and if you offered him to-morrow the command of an
army, or the presidentship of the United States, he wouldn't take it,
and you know he wouldn't."

"I suppose not," Pinkerton would cry, scouring his hair with both his
hands; "and I can't see why; I can't see what in fits he would be after,
not to; I don't seem to rise to these views. Of course, it's the
fault of not having had advantages in early life; but, Loudon, I'm so
miserably low that it seems to me silly. The fact is," he might add with
a smile, "I don't seem to have the least use for a frame of mind without
square meals; and you can't get it out of my head that it's a man's duty
to die rich, if he can."

"What for?" I asked him once.

"O, I don't know," he replied. "Why in snakes should anybody want to be
a sculptor, if you come to that? I would love to sculp myself. But what
I can't see is why you should want to do nothing else. It seems to argue
a poverty of nature."

Whether or not he ever came to understand me--and I have been so tossed
about since then that I am not very sure I understand myself--he soon
perceived that I was perfectly in earnest; and after about ten days
of argument, suddenly dropped the subje