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ngland for so long a time that anything that Brun had to tell him about the London world would be pleasantly fresh and stimulating. Brun, round and neat, and a citizen of the world from the crown of his head to the top of his shining toes, tapped Arkwright on his shoulder: "Hallo! Brun. How are you? It _is_ good to see you! Haven't seen a soul I know for the last ever so long." "Good--good. Excellent. Come along in here." "In there? Pictures? What's the use of me looking at pictures?" "We can talk in here. I'll tell you all the news. Besides, there's something that even you will appreciate." "Well?" Arkwright laughed good-humouredly and moved towards the door. "What is it?" "The Duchess," Brun answered him. "Yale Ross's portrait of the Duchess of Wrexe. At last," he triumphantly cried, "at last we've got her!" II The Duchess had a small corner wall for her own individual possession. The thin glowing May sunlight fell about her and the dull gold of her frame received it and gave it back with a rich solemnity as though it had said, "You have been gay and unrestrained enough with all those crowds, but here, let me tell you, is something that requires a very different attitude." The Duchess received the colour and the sunlight, but made no response. She sat, leaning forward a little, bending with one of her dry wrinkled hands over a black ebony cane, a high carved chair supporting and surrounding her. She seemed, herself, to be carved there, stone, marble, anything lifeless save for her eyes, the tense clutch of her fingers about the cane, and the dull but brooding gleam that a large jade pendant, the only colour against the black of her dress, flung at the observer. Her mouth was a thin hard line, her nose small but sharp, her colour so white that it seemed to cut into the paper, and the skin drawn so tightly over her bones that a breath, a sigh, might snap it. Her little body was, one might suppose, shrivelled with age, with the business and pleasure of the world, with the pursuit of some great ambition or prize, with the battle, unceasing and unyielding, over some weakness or softness. Indomitable, remorseless, unhumorous, proud, the pose of the body was absolutely, one felt, the justest possible. On either side of the chair were two white and green Chinese dragons, grotesque with open mouths and large flat feet; a hanging tapestry of dull gold filled in the background. Out upon these du
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