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he was ready to supply me with sufficient funds for my needs." "Well, he didn't come to me," Miss Polly declared with emphasis, "and if anybody in this world had needs, I did. You remember Robert Gaither? Well, Silas loaned him some money during the war, and although Robert was in a bad way, old Silas collected every cent down to the very last, and Robert had to go to Texas. Oh, I could tell you of numberless instances where he took advantage of those who had borrowed from him." "I suppose that Mr. Lumsden had been kind to Silas when he was sowing his wild oats; indeed, I think my husband advanced him money when he had exhausted the supply allowed him by the executors of the Tomlin estate." "And just think of it, Lucy--Ritta Claiborne sits there and plays the piano for old Silas, and sometimes Eugenia goes in and sings, and she has a beautiful voice; I'm not too deaf to know that." It was then that Mrs. Lumsden leaned over and gave the ear-trumpet some very good advice. "If I were in your place, Polly, I wouldn't tell this to any one else. Mrs. Claiborne is an excellent woman; she comes of a good family, and she is cultured and refined. No doubt she is sensitive, and if she heard that you were spreading your suspicions abroad, she would hardly feel like staying in a house where----" Mrs. Lumsden paused. She had it on her tongue's-end to say, "in a house where she is spied upon," but she had no desire in the world to offend that simple-minded old soul, who, behind all her peculiarities and afflictions, had a very tender heart. "I know what you mean, Lucy," said Miss Polly, "and your advice is good; but I can't help seeing what goes on under my eyes, and I thought there could be no harm in telling you about it. I am very fond of Ritta Claiborne, and as for Eugenia, why she is simply angelic. I love that child as well as if she were my own. If there's a flaw in her character, I have never found it. I'll say that much." The explanation of Miss Polly's suspicions is not as simple as her recital of them. No one can account for some of the impulses of the human heart, or the vagaries of the human mind. It is easy to say that after Silas Tomlin had his last interview with Mrs. Claiborne, he permitted his mind to dwell on her personality and surroundings, and so fell gradually under a spell. Such an explanation is not only easy to imagine, but it is plausible; nevertheless, it would not be true. There is a sort of tr
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