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se he'd accidentally been issued the unbelievable luxury item sugar instead of the usual salt, and Erich asked Sid if he had any new Ghostgirls in stock and Sid sucked his beard like the old goat he is. "Dost thou ask me, lusty Allemand? Nay, there are several great beauties, amongst them an Austrian countess from Strauss's Vienna, and if it were not for sweetling here ... Mnnnn." I poked a finger in Erich's chest between two of the bright buttons with their tiny death's heads. "You, my little von Hohenwald, are a menace to us real girls. You have too much of a thing about the unawakened, ghost kind." He called me his little Demon and hugged me a bit too hard to prove it wasn't so, and then he suggested we show Bruce the Art Gallery. I thought this was a real brilliant idea, but when I tried to argue him out of it, he got stubborn. Bruce and Lili were willing to do anything anyone wanted them to, though not so willing to pay any attention while doing it. The saber cut was just a thin red line on his cheek; she'd washed away all the dried blood. The Gallery gets you, though. It's a bunch of paintings and sculptures and especially odd knick-knacks, all made by Soldiers recuperating here, and a lot of them telling about the Change War from the stuff they're made of--brass cartridges, flaked flint, bits of ancient pottery glued into futuristic shapes, mashed-up Incan gold rebeaten by a Martian, whorls of beady Lunan wire, a picture in tempera on a crinkle-cracked thick round of quartz that had filled a starship porthole, a Sumerian inscription chiseled into a brick from an atomic oven. * * * * * There are a lot of things in the Gallery and I can always find some I haven't ever seen before. It gets you, as I say, thinking about the guys that made them and their thoughts and the far times and places they came from, and sometimes, when I'm feeling low, I'll come and look at them so I'll feel still lower and get inspired to kick myself back into a good temper. It's the only history of the Place there is and it doesn't change a great deal, because the things in it and the feelings that went into them resist the Change Winds better than anything else. Right now, Erich's witty lecture was bouncing off the big ears I hide under my pageboy bob and I was thinking how awful it is that for us that there's not only change but Change. You don't know from one minute to the next whether a mood or
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