ed him narrowly as long as he remained in
Chester, where he stayed on account of the wind being unfavourable for
his embarking at Park Gate."
Wishing to employ this delay in trying over some pieces of his new
oratorio--the Messiah, he sought for some one who could read music at
sight, and a house painter named Janson was indicated to him as one of
the best musicians attached to the Cathedral. A meeting took place, but
poor Janson managed so badly, that the irascible composer became purple
with anger, and after swearing, as was his wont, in four or five
languages at a time, cried out, "You Schountrel! tit you not tell me dat
you could sing at soite?" "Yes sir," replied the good fellow, "but not
at _first sight_." Handel upon this burst out laughing, and the
rehearsal proceeded no further.
He arrived in Dublin on the 18th November, 1741. It was not till April
following, however, that the Messiah was for the first time heard. In
the Dublin papers of March 1742, the following advertisement appeared:--
"For the relief of the prisoners in the several gaols, and for the
support of Mercer's Hospital; on Monday, the 12th April, will be
performed at the Music Hall, in Fishamble-street, Mr. Handel's new grand
Oratorio called the _Messiah_."
The performance having taken place, the newspapers vied with each other
in commendation and praise. I give you an extract from one:--
"On Tuesday last, (the day I suppose was changed), Mr. Handel's sacred
grand Oratorio, the Messiah, was performed in the New Music Hall, in
Fishamble-street. The best judges allowed it to be the most finished
piece of music. Words are wanted to express the delight it afforded to
the admiring crowded audience. The sublime, the grand and the tender,
adapted to the most elevated, majestic, and moving words, conspired to
transport and charm the ravished heart and ear. It is but justice to Mr.
Handel, that the world should know, he generously gave the money arising
from this grand performance to be equally shared by the society for
relieving prisoners, the Charitable Infirmary, and Mercer's Hospital,
for which they will ever gratefully remember his name.
This is high encomium, but the audience paid him higher still. When the
chorus all struck up, "For the Lord God omnipotent reigneth," in the
Hallelujah, they were so transported that they all together started up
and remained standing till the chorus ended."
A few days after the performance of the Messiah
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