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ed him narrowly as long as he remained in Chester, where he stayed on account of the wind being unfavourable for his embarking at Park Gate." Wishing to employ this delay in trying over some pieces of his new oratorio--the Messiah, he sought for some one who could read music at sight, and a house painter named Janson was indicated to him as one of the best musicians attached to the Cathedral. A meeting took place, but poor Janson managed so badly, that the irascible composer became purple with anger, and after swearing, as was his wont, in four or five languages at a time, cried out, "You Schountrel! tit you not tell me dat you could sing at soite?" "Yes sir," replied the good fellow, "but not at _first sight_." Handel upon this burst out laughing, and the rehearsal proceeded no further. He arrived in Dublin on the 18th November, 1741. It was not till April following, however, that the Messiah was for the first time heard. In the Dublin papers of March 1742, the following advertisement appeared:-- "For the relief of the prisoners in the several gaols, and for the support of Mercer's Hospital; on Monday, the 12th April, will be performed at the Music Hall, in Fishamble-street, Mr. Handel's new grand Oratorio called the _Messiah_." The performance having taken place, the newspapers vied with each other in commendation and praise. I give you an extract from one:-- "On Tuesday last, (the day I suppose was changed), Mr. Handel's sacred grand Oratorio, the Messiah, was performed in the New Music Hall, in Fishamble-street. The best judges allowed it to be the most finished piece of music. Words are wanted to express the delight it afforded to the admiring crowded audience. The sublime, the grand and the tender, adapted to the most elevated, majestic, and moving words, conspired to transport and charm the ravished heart and ear. It is but justice to Mr. Handel, that the world should know, he generously gave the money arising from this grand performance to be equally shared by the society for relieving prisoners, the Charitable Infirmary, and Mercer's Hospital, for which they will ever gratefully remember his name. This is high encomium, but the audience paid him higher still. When the chorus all struck up, "For the Lord God omnipotent reigneth," in the Hallelujah, they were so transported that they all together started up and remained standing till the chorus ended." A few days after the performance of the Messiah
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