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e said; "this is Alice." Then his gaze travelled to Fred's glowing face, and, with a sob in his voice that was all for joy, he added, "Alice, I 'm glad you're a-livin'." THE END VOLUMES BY Paul Laurence Dunbar A poet who starts out by being handicapped by excessive praise suffers from it for a long time. This very thing happened to Paul Laurence Dunbar, who published some very promising poems. Just because he happened to be a negro, a vast amount of adulation was heaped upon him. He showed the right sort of stuff, however, by not having his head turned and by going to work. Since those first publications he has done much creditable work both in poetry and in prose. His poetry is of the very best and his prose work has fine value. He writes genuine dialect, and he goes in for fine sentiment. Mr. Dunbar's volumes are as follows: STORIES: THE FANATICS. 12mo, cloth, $1.50. FOLKS FROM DIXIE. 12mo, cloth, illustrated, $1.25. THE UNCALLED. 12mo, cloth, $1.25. THE STRENGTH OF GIDEON. 12mo, cloth, illus., $1.25. THE LOVE OF LANDRY. 12mo, cloth, $1.25. POEMS: LYRICS OF LOWLY LIFE. 16mo, cloth, $1.25. LYRICS OF THE HEARTH-SIDE. 16mo, cloth, $1.25. POEMS OF CABIN AND FIELD. 8vo, cloth, illus., $1.50. * * * DODD, MEAD & COMPANY, _Publishers_ 372 FIFTH AVENUE, NEW YORK _The_ AUTOBIOGRAPHY _of_ Mrs. OLIPHANT--1828-1897 Arranged and Edited by MRS. HARRY COGHILL _With two portraits, 8vo, cloth, $3.50_ In the annals of English literature there are undoubtedly greater names than Mrs. Oliphant's, but surely none that will shine with a tenderer and purer radiance. Mrs. Oliphant was an indefatigable worker and had the spirit of true knighthood beating in her womanly bosom. Of her autobiography the _Philadelphia Ledger_ says: "The volume is unique in interest and a most valuable and helpful story of a noble and honorable life. Mrs. Coghill has the best equipment as an editor: discretion, taste, a word of connection wherever needed, no self-consciousness, and a perfect sympathy with her subject." * * * _The_ VICTORIAN AGE _of_ ENGLISH LITERATURE
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