e said; "this is Alice." Then his gaze travelled to
Fred's glowing face, and, with a sob in his voice that was all for joy,
he added, "Alice, I 'm glad you're a-livin'."
THE END
VOLUMES BY
Paul Laurence Dunbar
A poet who starts out by being handicapped by excessive praise
suffers from it for a long time. This very thing happened to Paul
Laurence Dunbar, who published some very promising poems. Just
because he happened to be a negro, a vast amount of adulation was
heaped upon him. He showed the right sort of stuff, however, by not
having his head turned and by going to work. Since those first
publications he has done much creditable work both in poetry and in
prose. His poetry is of the very best and his prose work has fine
value. He writes genuine dialect, and he goes in for fine
sentiment. Mr. Dunbar's volumes are as follows:
STORIES:
THE FANATICS. 12mo, cloth, $1.50.
FOLKS FROM DIXIE. 12mo, cloth, illustrated, $1.25.
THE UNCALLED. 12mo, cloth, $1.25.
THE STRENGTH OF GIDEON. 12mo, cloth, illus., $1.25.
THE LOVE OF LANDRY. 12mo, cloth, $1.25.
POEMS:
LYRICS OF LOWLY LIFE. 16mo, cloth, $1.25.
LYRICS OF THE HEARTH-SIDE. 16mo, cloth, $1.25.
POEMS OF CABIN AND FIELD. 8vo, cloth, illus., $1.50.
* * *
DODD, MEAD & COMPANY, _Publishers_
372 FIFTH AVENUE, NEW YORK
_The_ AUTOBIOGRAPHY _of_
Mrs. OLIPHANT--1828-1897
Arranged and Edited by MRS. HARRY COGHILL
_With two portraits, 8vo, cloth, $3.50_
In the annals of English literature there are undoubtedly greater
names than Mrs. Oliphant's, but surely none that will shine with a
tenderer and purer radiance. Mrs. Oliphant was an indefatigable
worker and had the spirit of true knighthood beating in her womanly
bosom. Of her autobiography the _Philadelphia Ledger_ says: "The
volume is unique in interest and a most valuable and helpful story
of a noble and honorable life. Mrs. Coghill has the best equipment
as an editor: discretion, taste, a word of connection wherever
needed, no self-consciousness, and a perfect sympathy with her
subject."
* * *
_The_ VICTORIAN AGE _of_
ENGLISH LITERATURE
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