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OF ERASMUS. By Quentin Metsys. 1519. London, British Museum. _Facing p. 206_ The reverse shows Erasmus's device, Terminus, and the motto _Concedo nulli_, both of which were also engraved on his sealing ring. For Erasmus's own interpretation see his letter, pp. 246-8. The Greek inscription means, 'His writings will give you a better picture of him'. XXVIII. PORTRAIT OF ERASMUS. After 1523. By Hans Holbein. Paris, Louvre. _Facing p. 207_ XXIX. THOMAS MORE AND HIS FAMILY. Pen and ink sketch by Hans Holbein, 1527. Basle, Oeffentliche Kunstsammlung (Print Room). _Facing p. 238_ 'The portrait, probably commissioned on the occasion of the scholar's fiftieth birthday, shows him surrounded by his large family. It is the first example of an intimate group portrait not of devotional or ceremonial character painted this side of the Alps. At that time Thomas More was living in his country house at Chelsea with his second wife, Alice, his father, his only son and his son's fiancee, three married daughters, eleven grandchildren and a relative, Margaret Giggs. The artist, who had been recommended to him by his friend Erasmus, was also enjoying his hospitality.' (P. Ganz, op. cit., Cat. No. 175). The original painting is lost; a copy by Richard Locky, dated 1530, is at Nostell Priory. The drawing was sent by More to Erasmus at Basle so as to introduce his family, for which purpose the names and ages were inscribed. In two letters to Sir Thomas and his daughter, dated 5 and 6 September 1530, Erasmus sent his enthusiastic thanks: 'I cannot put into words the deep pleasure I felt when the painter Holbein gave me the picture of your whole family, which is so completely successful that I should scarcely be able to see you better if I were with you.' (Allen, vol. 8, Nos. 2211-2). Compare also Erasmus's pen portrait of Sir Thomas More in his letter to Hutten, pp. 231-9. XXX. PORTRAIT OF ERASMUS. Charcoal drawing by Albrecht Duerer, dated 1520. Paris, Louvre. _Facing p. 239_ Drawn at Antwerp, during Duerer's journey to the Netherlands. When he received the false news of the murder of Luther at Whitsuntide 1521, Duerer wrote in his diary: 'O Erasmus of Rotterdam, where art thou? Listen, thou Knight of Christ, ride out with the Lord Christ, defend the truth and earn for thyself the martyr's crown!' XXXI. PORTRAIT OF ERASMUS. Engraving by Albrecht Duerer, dated 1526. _Facing p. 246_ In his _Diary of a Journey to the Netherlan
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