FREE BOOKS

Author's List




PREV.   NEXT  
|<   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133  
134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   >>   >|  
ys making more or less than there really was of her. You were speaking the other night at Wetmore's, of the uncertain quality of her beauty, and the danger of getting something else in," said Ludlow, suddenly grappling with the fact, "and I was always doing that, or else leaving everything out. Her beauty has no fixed impression. It ranges from something exquisite to something grotesque; just as she ranges in character from the noblest generosity to the most inconceivable absurdity. You never can know how she will look or how she will behave. At least, _I_ couldn't. I was always guessing at her; but Miss Saunders seemed to understand her. All her studies of her are alike; the last might be taken for the first, except that the handling is better. It's invariably the very person, without being in the least photographic, as people call it, because it is one woman's unclouded perception of another. The only question is whether Miss Saunders can keep that saving simplicity. It may be trained out of her, or she may be taught to put other things before it. Wetmore felt the danger of that, when we looked at her sketches. I'm not saying they're not full of faults; the technique is bad enough; sometimes it's almost childish; but the root of the matter is there. She knows what she sees, and she tells." "Really?" said Mrs. Westley. "It _is_ hard for a woman to believe much in women; we don't expect anything of each other yet. Should you like her to paint me?" "I?" "I mean, do you think she could do it?" "Not yet. She doesn't know enough of life, even if she knew enough of art. She merely painted another girl." "That is true," said Mrs. Westley with a sigh. She added impersonally; "But if people only kept to what they knew, and didn't do what they divined, there would be very little art or literature left, it seems to me." "Well, perhaps the less the better." said Ludlow, with a smile for the absurdity he was reduced to. "What was left would certainty be the best." He felt as if his praise of Cornelia were somehow retrieval; as if it would avail where he seemed otherwise so helpless, and would bring them together on the old terms again. There was, indeed, nothing explicit in their alienation, and when he saw Cornelia at Mrs. Westley's first Thursday, he made his way to her at once, and asked her if she would give him some tea, with the effect of having had a cup from her the day before. He did not know whether to be
PREV.   NEXT  
|<   109   110   111   112   113   114   115   116   117   118   119   120   121   122   123   124   125   126   127   128   129   130   131   132   133  
134   135   136   137   138   139   140   141   142   143   144   145   146   147   148   149   150   151   152   153   154   155   156   157   158   >>   >|  



Top keywords:

Westley

 

Saunders

 

Cornelia

 
people
 

Ludlow

 

danger

 

beauty

 
Wetmore
 

ranges

 

absurdity


painted

 

retrieval

 
helpless
 

Should

 

expect

 
effect
 

reduced

 

explicit

 

praise

 

certainty


impersonally
 

divined

 
literature
 

alienation

 

Thursday

 

inconceivable

 

generosity

 

noblest

 
grotesque
 

character


behave
 

studies

 

couldn

 

guessing

 
understand
 

exquisite

 

impression

 

speaking

 
uncertain
 

quality


making

 

suddenly

 

leaving

 

grappling

 
faults
 

technique

 

sketches

 

childish

 
Really
 

matter