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or porch of the gate, is formed by an immense Arabian arch of the horseshoe form, which springs to half the height of the tower. On the keystone of this arch is engraven a gigantic hand. Within the vestibule, on the keystone of the portal, is engraven, in like manner, a gigantic key. Those who pretend to some knowledge of Mohammedan symbols affirm that the hand is the emblem of doctrine, and the key of faith; the latter, they add, was emblazoned on the standard of the Moslems when they subdued Andalusia, in opposition to the Christian emblem of the cross. It was a tradition handed down from the oldest inhabitants, and which our informant had from his grandfather, that the hand and key were magical devices on which the fate of the Alhambra depended. The Moorish king who built it was a great magician, and, as some believed, had sold himself to the devil, and had laid the whole fortress under a magic spell. By this means it had remained standing for several hundred years, in defiance of storms and earthquakes, while almost all the other buildings of the Moors had fallen to ruin and disappeared. The spell, the tradition went on to say, would last until the hand on the outer arch should reach down and grasp the key, when the whole pile would tumble to pieces, and all the treasures buried beneath it by the Moors would be revealed. After passing through the barbican we ascended a narrow lane, winding between walls, and came on an open esplanade within the fortress, called the Plaza de los Algibes, or Place of the Cisterns, from great reservoirs which undermine it, cut in the living rock by the Moors, for the supply of the fortress. Here, also, is a well of immense depth, furnishing the purest and coldest of water, another monument of the delicate taste of the Moors, who were indefatigable in their exertions to obtain that element in its crystal purity. In front of the esplanade is the splendid pile commenced by Charles V, intended, it is said, to eclipse the residence of the Moslem kings. With all its grandeur and architectural merit, it appeared to us like an arrogant intrusion, and passing by it we entered a simple, unostentatious portal, opening into the interior of the Moorish palace. The transition was almost magical; it seemed as if we were at once transported into other times and another realm, and were treading the scenes of Arabian story. We found ourselves in a great court paved with white marble and decorate
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