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up at the Manager through his bloodshot eyes. They were heavy and weary, he could scarcely keep them open; his fingers strummed against the arm of the chair and he began to whistle to himself softly, a quaint little Polish air like a folk-song. Galitsin shook his head frowning: "You are a perfect child, Velasco, when this mood gets hold of you. There is no doing anything with you. Very well then, I wash my hands of the whole business. Answer your own letters and satisfy the agents, if you can. Tell them you are ill, dying, dead--anything you please." "Bah!" said Velasco, "Don't answer them at all." He shut his eyes. The Manager gave a hasty glance about the Studio and then he bent his head to the chair, whispering: "You have acted badly enough before, heaven knows, but never like this. It is not the composing. Where is the score?--Not a note!" He breathed a few words in Velasco's ear and the Musician started up. "How did you know; who told you? The devil take you, Galitsin!" The Manager smiled, running his hands through his short, crisp curls. "Everyone knows; all St. Petersburg is talking about it. When a man of your fame, Velasco, insists on befriending a Countess, and one who is the daughter of Mezkarpin, and an anarchist to boot--" He spread out his hands: "Ah, she is beautiful, I know. I saw her at the Mariinski. She stared at you as if she were bewitched. You had every excuse; but get down on your knees, Velasco, and give thanks. It is no fault of yours that you are not tramping through the snow to Siberia now, just as she is. A lesser man, one whose career was less marked! By heaven, Velasco, what is it?--You are choking me!" "Say it again!" cried the Musician, "You know where she is? Tell me! By God, will you tell me, or not?--I'll force it out of you!" "Let go of my throat!" gasped the Manager. "Sit down, Velasco! Don't be so excitable, so violent! No wonder you play with such passion; but I am not a violin, if you please. Take your hands off my throat and sit down." "Where is she?" Galitsin straightened his collar and necktie before the mirror of the mantel-piece. "What is the matter with you, Velasco? Any one would suppose you were in love with her! Better not; she is doomed--she is practically dead." "Dead!" "Don't fly up like that!--Sit down! I saw the Chief of Police yesterday, and he gave me some advice to hand on to you." "Is she dead, Galitsin?"
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