FREE BOOKS

Author's List




PREV.   NEXT  
|<   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35  
36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   >>   >|  
ee and admire--admire and confess your admiration." He shook them at Anthony's face. But as Anthony looked at them with composure, and only muttered, "H'm," "Oh, my little scarlet starlets," he purred and chirped to the blossoms, "_would n't_ the apathetic man admire you?" And he clasped them to his bosom with a gesture that was reminiscent of the grateful prima-donna. "They look exactly as if I had plucked them from the foreground of a Fifteenth Century painting, don't they?" he went on, holding them off again. "Florentine, of course. Ah, in those days painting was a fine art, and worth a rational being's consideration,--in those days, and in just that little Tuscan corner of the world. But you," he pronounced in deep tones, mournfully, "how cold, how callous, you are. Have you no soul for the loveliness of flowers?" Anthony sighed. He was a tall young man, (thirty, at a guess), tall and well set-up, with grey eyes, a wholesome brown skin, and a nose so affirmatively patrician in its high bridge and slender aquilinity that it was a fair matter for remark to discover it on the face of one who actually chanced to be of the patrician order. Such a nose, perhaps, carried with it certain obligations--an obligation of fastidious dressing, for example. Anthony, at any rate, was very fastidiously dressed indeed, in light-grey tweeds, with a straw hat, and a tie that bespoke a practised hand beside a discerning taste. But his general air, none the less,--the expression of his figure and his motions, as well as of his face and voice,--was somehow that of an indolent melancholy, a kind of unresentful disenchantment, as if he had long ago perceived that cakes are mostly dough, and had accommodated himself to the perception with a regret that was half amusement. His friend, by contrast, in loose white flannels, with a flannel shirt and a leather belt, with yellowish hair, waving, under a white flannel cricket-cap, a good inch longer than the conventional cut, was plainly a man who set himself above the modes: though, in his plump, pink way debonair and vivacious, not so tall as Anthony, yet tall enough never to be contemned as short, and verging upon what he was fain to call "the flower of a sound man's youth, the golden, gladsome, romantic age of forty," he looked delightfully fresh, and wide-awake, and cheerful, and perfectly in the scheme of the blue day and the bird-notes and the smiling country. Permit me
PREV.   NEXT  
|<   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35  
36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   >>   >|  



Top keywords:

Anthony

 

admire

 

flannel

 

painting

 

patrician

 

looked

 
friend
 

contrast

 

perception

 
regret

flannels

 

accommodated

 

amusement

 

indolent

 
discerning
 

general

 
practised
 

tweeds

 

bespoke

 

unresentful


disenchantment
 

melancholy

 

figure

 

expression

 

motions

 
perceived
 

conventional

 

golden

 

gladsome

 

romantic


flower

 

verging

 

delightfully

 

smiling

 

country

 
Permit
 

cheerful

 
perfectly
 

scheme

 

contemned


longer

 
cricket
 

leather

 

yellowish

 

waving

 

plainly

 
vivacious
 

debonair

 
matter
 
foreground