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WYN, 85. _Grande Breteche, La_, 348. GREEN, ANNA KATHERINE, 138. GRIFFITH, D.W., 153, 157, 167, 226, 336. H Hackneyed themes, 296-300. HALEVY, LUDOVIC, 307. _Hamlet_, 325, 326. HARRISON, LOUIS REEVES, 91, 293. HAZARD, FLOYD HAMILTON, 304, 322. HAZLITT, WILLIAM, 338. Heart-interest, 293, 305. _Hearts of the World_, 157. "HENRY, O.," 201, 351, 352, 363. HOADLEY, C.B., 132, 149. HOAGLAND, HERBERT CASE, 134, 138, 301, 322, 356. HOFFMAN, ARTHUR S., 305, 306. _How to Write a Photoplay_, 134, 301, 356. Human interest, 305, 306. Humor: See "Comedy." I Idea, 22. _In the Country God Forgot_, 82. _Incendiary Foreman, The_, 273. Insert, 22, 157-161, 218-244. Interest centralized, 141-143. Interpose, 22, 387. _Intolerance_, 167, 168. IRVING, SIR HENRY, 317. IRWIN, MAY, 325. J JACOBS, W.W., 355. JOHNSON, SAMUEL, 415. K _Kaiser, The_, 127. KALEM, 132. KATTERJOHN, MONTE M., 302. KEENAN, FRANK, 320. KEYSTONE COMEDY, 329. L LANG, PHIL, 132, 133. Leaders, 4, 22, 157-161, 218-244. _Leavenworth Case, The_, 138. Letters, 237-242. Lighting, 247-249, 280, 281. _Little Stone God, The_, 355. Location, 22, 23, 166. LUBIN, 78. M _Macbeth_, 282, 318. MACGRATH, HAROLD, 301, 302. MCMANUS, GEORGE, 343. _Magazine Maker, The_, 75, 77. Manuscript record, 415. Marketing the photoplay, 408-415. Mask, 161-163. MAUDE, CYRIL, 333. MAUPASSANT, GUY DE, 351. Memories, 176-181. MERWIN, BANNISTER, 172-175, 192, 197, 297. METRO, 333. _Monkey's Paw, The_, 355. MOORE, JOHN ROBERT, 361, 362. _Mortmain_, 184, 185. _Motion Picture Classic_, 263. _Motion Picture Magazine_, 263, 264. _Motion Picture News_, 263, 336. _Motion Picture Story, The_, 242. Motivation, 88. _Motography_, 263. _Moving Picture Stories_, 15, 264. _Moving Picture World, The_, 29, 91, 103, 120-122, 132, 133, 174, 227, 231, 252, 253, 263, 282, 283, 286, 293, 332, 334, 335. Multiple reel, 23, 24. _Murders in the Rue Morgue, The_, 361. _Mutt and Jeff_, 343. N Names, 120-126. _Necklace, The_, 351. Negative, 23. NEHLS, R.R., 92, 268, 270, 290, 291. NESTOR, 34. _New Catacomb, The_, 348-350, 354. O Objectionable subjects, 282-303. _Old Musician, The_, 129. OPPENHEIM, JAMES, 358-360. Originality, 260-262, 347-362. Outdoor scenes, 20, 248, 249. Over-condensation, 199, 223
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