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only they contemplated the same idea. Mind itself ceased in this way to mean a series of existing feelings and was identified with intelligence; and intelligence in its turn was identified with the Idea or Logos which might be the ultimate theme of intelligence. There could be only one mind, so conceived, since there could be only one total system in the universe visible to omniscience. As to romantic scepticism, we may see by contrast what it would be, when left to itself, if we consider those lucid Italians who have taken up their idealism late and with open eyes. In Croce and Gentile the transcendental attitude is kept pure: for them there is really no universe save spirit creating its experience; and if we ask whence or on what principle occasions arise for all this compulsory fiction, we are reminded that this question, with any answer which spirit might invent for it, belongs not to philosophy but to some special science like physiology, itself, of course, only a particular product of creative thought. Thus the more impetuously the inquisitive squirrel would rush from his cage, the faster and faster he causes the cage to whirl about his ears. He has not the remotest chance of reaching his imaginary bait--God, nature, or truth; for to seek such things is to presuppose them, and to presuppose anything, if spirit be absolute, is to invent it. Even those philosophies of history which the idealist may for some secret reason be impelled to construct would be superstitious, according to his own principles, if he took them for more than poetic fictions of the historian; so that in the study of history, as in every other study, all the diligence and sober learning which the philosopher may possess are non-philosophical, since they presuppose independent events and material documents. Thus perfect idealism turns out to be pure literary sport, like lyric poetry, in which no truth is conveyed save the miscellaneous truths taken over from common sense or the special sciences; and the gay spirit, supposed to be living and shining of its own sweet will, can find nothing to live or shine upon save the common natural world. Such at least would be the case if romantic superstition did not supervene, demanding that the spirit should impose some arbitrary rhythm or destiny on the world which it creates: but this side of idealism has been cultivated chiefly by the intrepid Germans: some of them, like Spengler and Keyserling, still t
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