FREE BOOKS

Author's List




PREV.   NEXT  
|<   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41  
42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   >>   >|  
ns of the most illustrious men who not only wrote, but _became famous mainly because they wrote_. Passing by the great pagan orators, Cicero and Demosthenes, and the Doctors of the Church, Saints Augustine, John Chrysostom, &c.--these all wrote, polished and elaborated--we come to the four names that have flung a deathless glory around the French pulpit, that created a golden era of sacred eloquence which has never been surpassed: Bourdaloue, Bossuet, Massillon, and Fenelon. I will not labour the argument by showing how much of their strength and fame rested on the construction of their sermons. But, to return to the intrinsic merits of the statement--yes, O'Connell and Father Burke were great orators in _spite of_, and _not because of_, the fact that they spoke extemporarily. So crude were some of O'Connell's speeches, so careless was he of their dress, that Shiel complained: "He flung a brood of young, sturdy ideas upon the world, with scarce a rag to cover them." If ever there was a case when the man made the sermon instead of the sermon making the man, it was the case of Father Burke. How little he owed to his sermons and how much they owed to his delivery is left on record by a capable judge. Sir Charles Gavan Duffy says: "Father Burke was a born orator; the charm of _voice, eye and action_ combined to produce his wonderful effects. When his words were printed much of the spell vanished. One rejoiced to _hear_ him over and over again, but _re-read_ him rarely, I think."[1] The greatest tribute that can be paid to the genius of these two orators is that compositions, wordy, loose, abounding in repetitions, in their mouths enthralled multitudes. Every defect disappeared; the mastery, the dazzling brilliancy of their oratory swept all hearts and blinded criticism. We well may pause before answering the question: What effects would they have produced had they time to write masterpieces of finished beauty like those of Grattan and of Bourdaloue? where each link in the chain of argument hangs in glittering strength, and each thought shows the flash of the gem and its solidity too. [1] "My Life in Two Hemispheres," Vol. II., 274. [Side note: Defence of the system I] The first great difficulty against extemporary preaching is that, though a priest studies his subject and maps his plan, he still reckons without his host. The mind aroused to activity and warmed by exertion is sure to spring new thoughts, argume
PREV.   NEXT  
|<   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38   39   40   41  
42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64   65   66   >>   >|  



Top keywords:
orators
 

Father

 

argument

 

Bourdaloue

 

sermon

 

strength

 
Connell
 

effects

 

sermons

 

oratory


brilliancy

 

hearts

 

blinded

 

dazzling

 
multitudes
 

defect

 

disappeared

 

mastery

 

criticism

 

produced


question
 

answering

 

enthralled

 
mouths
 
illustrious
 

greatest

 

tribute

 

rarely

 

abounding

 

vanished


repetitions

 

compositions

 

genius

 

rejoiced

 

finished

 

studies

 

priest

 
subject
 

preaching

 

system


difficulty

 

extemporary

 
reckons
 
spring
 

thoughts

 

argume

 
exertion
 

warmed

 
aroused
 

activity