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Turchi; the wound on his face, betraying his emotion, became of a deep-red color. And yet it was absolutely necessary for him to appear calm, and to reply cordially to the kind salutation of the young girl; for there were at least twenty persons near him and within hearing of what passed. By a powerful effort he mastered his emotion, referring it to the impression made upon him by her appearance. He spoke also of sacrifices, which, even when voluntarily made, painfully wound the heart; of a self-abnegation which could find its consolation in the happiness of a friend, but which failed not to leave a sting in the soul that had cherished fallacious hopes. Mary understood him, and was grateful for his kindness. "Thanks, thanks, signor," she said, warmly, as she passed on to salute other guests. When Mary approached the piano, and addressed a few kind words to Master Christian, many Italian gentlemen begged her to favor them with a _canzone_. With her father's permission, the young girl consented to gratify the guests. She hesitated awhile as to the language in which to sing, and was turning over the leaves of a book handed her by Master Christian. The old Deodati expressed a wish to hear a song in the language of the Low Countries, and begging pardon of the Italian gentlemen, Mary said she would sing a _Kyrie Eleison_ in her maternal tongue. Master Christian seated himself at the piano, to accompany her, and commenced a prelude. The first notes of the young girl were like a gentle murmur. By degrees her voice became firmer and stronger, until at the end of each strophe the word _eleison_ rose like a sonorous hymn to heaven. The measure was remarkably slow, simple, and full of a tranquil melody. Mary evidently felt the peculiar character of this chant, for instead of endeavoring to add to the effect, she softened still more her singularly sweet voice, and let the words drop slowly from her lips, as if the songstress herself were ravished in contemplation and was listening to celestial music. At first the Italian gentlemen exchanged glances, as if to express the thought that this chant could not compare with the brilliant lively style of the Italian music. But this unfavorable opinion was not of long duration. They, like all others, soon yielded to the irresistible fascination of Mary's exquisite voice. They listened with such rapt attention that not the slightest movement was made in the room, and one m
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