es.
HUERTA, GARCIA DE LA, a Spanish poet, was royal librarian in Madrid;
wrote tragedy of "Raguel," thought of very highly (1729-1797).
HUESCA (13), an interesting old Spanish town, 58 m. NE. of
Saragossa; has picturesque old churches, a university, and a palace;
manufactures linen and leather.
HUET, PIERRE DANIEL, a learned French prelate, born at Caen; a pupil
of Descartes; associated with Bossuet as scholar, and editor of Origen
(1630-1721).
HUG, LEONHARD, a Catholic theologian and biblical scholar, author of
an "Introduction to the New Testament" (1765-1846).
HUGH CAPET, the first of the Capetian dynasty of France, son of Hugh
Capet, Count of Paris; proclaimed king in 987; his reign was a troubled
one by the revolt of the very party that had raised him to the throne,
and who refused to own his supremacy; Adelbert, a count of Perigueux, had
usurped the titles of Count of Poitiers and of Tours, and the king,
sending a messenger to ask "Who made you count?" got for answer the
counter-challenge "Who made you king?" (946-996).
HUGHENDEN, a parish in Buckinghamshire, in the Chiltern district, 2
m. N. of High Wycombe; is interesting as the seat of Hughenden Manor, for
many years the residence of Benjamin Disraeli, Earl of Beaconsfield.
HUGHES, THOMAS, author of "Tom Brown's School-days," born at
Uffington, Berks; was at Rugby in Dr. Arnold's time, graduated at Oxford,
and was called to the bar in 1848; his famous story of Rugby school life,
"Tom Brown's School-days," was published in 1856, and was followed by
"Tom Brown at Oxford" and other stories and biographies; he entered
Parliament in 1865, and in 1882 became a County Court Judge; throughout
his life he was keenly interested in social questions and the betterment
of the working-classes (1832-1896).
HUGO, VICTOR-MARIE, a famous French poet and novelist, born at
Besancon; as a boy he accompanied his father, a general in Joseph
Bonaparte's army, through the campaigns in Italy and Spain; at 14 he
produced a tragedy, and six years later appeared his "Odes et Ballades";
in 1827 was published his famous tragedy "Cromwell," which placed him at
the head of the Romanticists, and in "Hernani" (1830) the departure from
the old classic novels was more emphatically asserted; his superabundant
genius continued to pour forth a quick succession of dramas, novels,
essays, and poems, in which he revealed himself one of the most potent
masters of the Fren
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