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gic processional of the months, as they march with pomp and pathos along their vanishing roads, will come to the end of the year with a lofty, illuminated sense of having assisted at a solemn religious service, and a realization that, in no mere fancy of the poets, but in very deed, "day unto day uttereth speech and night unto night sheweth knowledge." Apart from this generally religious influence of Nature, she seems at times in certain of her aspects and moods specifically to illustrate or externalize states of the human soul. Sometimes in still, moonlit nights, standing, as it were, on the brink of the universe, we seem to be like one standing on the edge of a pool, who, gazing in, sees his own soul gazing back at him. Tiny creatures though we be, the whole solemn and majestic spectacle seems to be an extension of our own reverie, and we to enfold it all in some strange way within our own infinitesimal consciousness. So a self-conscious dewdrop might feel that it enfolded the morning sky, and such probably is the meaning of the Buddhist seer when he declares that "the universe grows I." Such are some of the more august impressions made upon us by the pictures in the cosmic picture-book; but there are also times and places when Nature seems to wear a look less mystic than dramatic in its suggestiveness, as though she were a stage-setting for some portentous human happening past or to come--the fall of kings or the tragic clash of empires. As Whitman says, "Here a great personal deed has room." Some landscapes seem to prophesy, some to commemorate. In some places not marked by monuments, or otherwise definitely connected with history, we have a curious haunted sense of prodigious far-off events once enacted in this quiet grassy solitude--prehistoric battles or terrible sacrifices. About others hangs a fateful atmosphere of impending disaster, as though weighted with a gathering doom. Sometimes we seem conscious of sinister presences, as though veritably in the abode of evil spirits. The place seems somehow not quite friendly to humanity, not quite good to linger in, lest its genius should cast its perilous shadow over the heart. On the other hand, some places breathe an ineffable sense of blessedness, of unearthly promise. We feel as though some hushed and happy secret were about to be whispered to us out of the air, some wonderful piece of good fortune on the edge of happening. Some hand seems to beckon us, some vo
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