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al inscrutability with Occidental suavity and sureness, and set off the Oriental gentleman in American surroundings, he brought together the nations in a new vision of the brotherhood of man. This story was preferred, for the reasons implied, by Frances Gilchrist Wood, who sees in Wu Fong's garden the subtle urge of acres of flowers, asleep under the stars, pitted against the greed of profiteers; who sees in answer to Western fume and fret the wisdom of Confucius, "Come out and see my poppies." The story was rejected by other members who, while applauding the author's motivation of character, his theme, and his general treatment, yet felt a lack of emotion and a faltering at the dramatic climax. Wilbur Daniel Steele's "The Marriage in Kairwan" presents an appalling tragedy which, if it be typical, may befall any Tunisian lady who elects for herself man's standard of morality--for himself. Such a story is possible when the seeing eye and the understanding heart of an American grasps the situation in Kairwan and through the technician's art develops it, transforms it, and bears it into the fourth dimension of literature. The thread of narrative runs thinly, perhaps, through the stiffly embroidered fabric, heavy as cloth of gold; the end may be discerned too soon. But who can fail of being shocked at the actual denouement? The story may be, as Ethel Watts Mumford admits, caviar. "But if so," she adds, "it is Beluga Imperial." Donn Bryne's "Wisdom Buildeth Her House," is constructed on a historic foundation, the visit that Balkis, Queen of Sheba, made to Solomon, King of the Jews. Mr. Bryne has not only built a cunning mosaic, plunging into the stream of Scriptural narrative for his tessellations and drawing gems out of The Song of Solomon, but he has also recalled by virtue of exercising a vigorous imagination, the glory of the royalty that was Sheba's and the grandeur of her domain in pictures as gorgeously splendid as those from an Arabian Night. He has elaborated the Talmud story with mighty conviction from a novel point of view and has whetted his theme on the story of a love the King lacked wisdom to accept. The Chairman of the Committee prefers this story; but other members assert that it lacks novelty and vitality, nor can they find that it adds anything new to the Song of Songs. These three first choice stories, then, are strong in Oriental flavour, characters, and setting. Again, democracy (in the etymol
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