t I looked through my fingers. They were dancing
the renowned "Can-can." A handsome girl in the set before me tripped
forward lightly to meet the opposite gentleman, tripped back again,
grasped her dresses vigorously on both sides with her hands, raised them
pretty high, danced an extraordinary jig that had more activity and
exposure about it than any jig I ever saw before, and then, drawing her
clothes still higher, she advanced gaily to the center and launched a
vicious kick full at her vis-a-vis that must infallibly have removed his
nose if he had been seven feet high. It was a mercy he was only six.

That is the can-can. The idea of it is to dance as wildly, as noisily,
as furiously as you can; expose yourself as much as possible if you are a
woman; and kick as high as you can, no matter which sex you belong to.
There is no word of exaggeration in this. Any of the staid, respectable,
aged people who were there that night can testify to the truth of that
statement. There were a good many such people present. I suppose French
morality is not of that straight-laced description which is shocked at
trifles.

I moved aside and took a general view of the can-can. Shouts, laughter,
furious music, a bewildering chaos of darting and intermingling forms,
stormy jerking and snatching of gay dresses, bobbing beads, flying arms,
lightning flashes of white-stockinged calves and dainty slippers in the
air, and then a grand final rush, riot, a terrific hubbub, and a wild
stampede! Heavens! Nothing like it has been seen on earth since
trembling Tam O'Shanter saw the devil and the witches at their orgies
that stormy night in "Alloway's auld haunted kirk."

We visited the Louvre, at a time when we had no silk purchases in view,
and looked at its miles of paintings by the old masters. Some of them
were beautiful, but at the same time they carried such evidences about
them of the cringing spirit of those great men that we found small
pleasure in examining them. Their nauseous adulation of princely patrons
was more prominent to me and chained my attention more surely than the
charms of color and expression which are claimed to be in the pictures.
Gratitude for kindnesses is well, but it seems to me that some of those
artists carried it so far that it ceased to be gratitude and became
worship. If there is a plausible excuse for the worship of men, then by
all means let us forgive Rubens and his brethren.

But I will drop th