s representing perfection.
One great defect he had, and this might well have overbalanced his
attractive face. The defect in question was his voice. One would have
expected to hear from him melodious sounds, and vocal tones both rich
and penetrating; but, as a matter of fact, his voice was shrill at the
very best, and became actually discordant and peacock-like in moments of
emotion.
Such, then, was Shelley, star-eyed, with the delicate complexion of a
girl, wonderfully mobile in his features, yet speaking in a voice high
pitched and almost raucous. For the rest, he arrayed himself with care
and in expensive clothing, even though he took no thought of neatness,
so that his garments were almost always rumpled and wrinkled from his
frequent writhings on couches and on the floor. Shelley had a strange
and almost primitive habit of rolling on the earth, and another of
thrusting his tousled head close up to the hottest fire in the house,
or of lying in the glaring sun when out of doors. It is related that he
composed one of his finest poems--"The Cenci"--in Italy, while stretched
out with face upturned to an almost tropical sun.
But such as he was, and though he was not yet famous, Harriet Westbrook,
the rosy-faced schoolgirl, fell in love with him, and rather plainly
let him know that she had done so. There are a thousand ways in which
a woman can convey this information without doing anything un-maidenly;
and of all these little arts Miss Westbrook was instinctively a
mistress.
She played upon Shelley's feelings by telling him that her father was
cruel to her, and that he contemplated actions still more cruel. There
is something absurdly comical about the grievance which she brought to
Shelley; but it is much more comical to note the tremendous seriousness
with which he took it. He wrote to his friend Hogg:
Her father has persecuted her in a most horrible way, by endeavoring
to compel her to go to school. She asked my advice; resistance was the
answer. At the same time I essayed to mollify Mr. Westbrook, in vain! I
advised her to resist. She wrote to say that resistance was useless, but
that she would fly with me and throw herself on my protection.
Some letters that have recently come to light show that there was a
dramatic scene between Harriet Westbrook and Shelley--a scene in the
course of which she threw her arms about his neck and wept upon his
shoulder. Here was a curious situation. Shelley was not at all
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