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But in those few moments the scene in the building changed once more. The madman, while he still wavered between relapsing into the raving fit and continuing under the influence of the tranquil mood in which he had been prematurely disturbed, caught sight of Goisvintha when her approach suddenly shadowed the entrance to the temple. Her presence, momentary though it was, was for him the presence of a figure that had not appeared before; that had stood in a strange position between the shade within and the faint light without; it was a new object, presented to his eyes while they were straining to recover such imperfect faculties of observation as had been their wont, and it ascendancy over him was instantaneous and all-powerful. He started, bewildered like a deep sleeper suddenly awoke; violent shudderings ran for a moment over his frame; then it strengthened again with its former unnatural strength; the demon raged within him in renewed fury as he tore his robe which Numerian held as he lay at his feet from the feeble grasp that confined it, and, striding up to the pile of idols, stretched out his hands in solemn deprecation. 'The high priest has slept before the altar of the gods!' he cried loudly, 'but they have been patient with their well-beloved; their thunder has not struck him for his crime! Now the servant returns to his service--the rites of Serapis begin!' Numerian still remained prostrate, spirit-broken; he slowly clasped his hands together on the floor, and his voice was now to be heard, still supplicating in low and stifled accents, as if in unceasing prayer lay his last hope of preserving his own reason. 'God! Thou art the God of Mercy; be merciful to him!' he murmured. 'Thou acceptest of repentance; grant repentance to him! If at any time I have served Thee without blame, let the service be counted to him; let the vials of Thy wrath be poured out on me!' 'Hark! the trumpet blows for the sacrifice!' interrupted the raving voice of the Pagan, as he turned from the altar, and extended his arms in frenzied inspiration. 'The roar of music and the voice of exultation soar upward from the highest mountain-tops! The incense smokes, and in and out, and round and round, the dancers whirl about the pillars of the temple! The ox for the sacrifice is without spot; his horns are gilt; the crown and fillet adorn his head. The priest stands before him naked from the waist upwards; he heaves the libation
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