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sserts that some buildings where he had seen it used, had fallen down. From the imperfect specimens of it which remain in modern times, it would be difficult to decide upon its merits. That it was assuredly insufficient to support the weight of the bank of the Pincian Mount, which rose immediately behind it, in the solitary spot described some pages back, is still made evident by the appearance of the wall at that part of the city, which remains in modern times bent out of the perpendicular, and cracked in some places almost from top to bottom. This ruin is now known to the present race of Italians, under the expressive title of 'Il Muro Torto' or, The Crooked Wall. We may here observe that it is extremely improbable that the existence of this natural breach in the fortifications of Rome was noticed, or if noticed, regarded with the slightest anxiety or attention by the majority of the careless and indolent inhabitants, at the period of the present romance. It is supposed to have been visible as early as the time of Aurelian, but is only particularly mentioned by Procopius, an historian of the sixth century, who relates that Belisarius, in strengthening the city against a siege of the Goths, attempted to repair this weak point in the wall, but was hindered in his intended labour by the devout populace, who declared that it was under the peculiar protection of St. Peter, and that it would be consequently impious to meddle with it. The general submitted without remonstrance to the decision of the inhabitants, and found no cause afterwards to repent of his facility of compliance; for, to use the translated words of the writer above-mentioned, 'During the siege neither the enemy nor the Romans regarded this place.' It is to be supposed that so extraordinary an event as this, gave the wall that sacred character, which deterred subsequent rulers from attempting its repair; which permitted it to remain crooked and rent through the convulsions of the middle ages; and which still preserves it, to attest the veracity of historians, by appealing to the antiquarian curiosity of the traveller of modern times. We now return to Ulpius. It is a peculiarity observable in the characters of men living under the ascendancy of one ruling idea, that they intuitively distort whatever attracts their attention in the outer world, into a connection more or less intimate with the single object of their mental contemplation. Since the
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