licately jointed left hand was made
to fasten itself upon her right. The old toymaker showed her how to
regulate its speed, and how to stop it, and release herself.

"'It will take you round in a complete circle,' he explained; 'be careful
that no one knocks against you, and alters its course.'

"The music struck up. Old Geibel put the current in motion, and Annette
and her strange partner began to dance.

"For a while every one stood watching them. The figure performed its
purpose admirably. Keeping perfect time and step, and holding its little
partner tightly clasped in an unyielding embrace, it revolved steadily,
pouring forth at the same time a constant flow of squeaky conversation,
broken by brief intervals of grinding silence.

"'How charming you are looking to-night,' it remarked in its thin, far-
away voice. 'What a lovely day it has been. Do you like dancing? How
well our steps agree. You will give me another, won't you? Oh, don't be
so cruel. What a charming gown you have on. Isn't waltzing delightful?
I could go on dancing for ever--with you. Have you had supper?'

"As she grew more familiar with the uncanny creature, the girl's
nervousness wore off, and she entered into the fun of the thing.

"'Oh, he's just lovely,' she cried, laughing, 'I could go on dancing with
him all my life.'

"Couple after couple now joined them, and soon all the dancers in the
room were whirling round behind them. Nicholaus Geibel stood looking on,
beaming with childish delight at his success,

"Old Wenzel approached him, and whispered something in his ear. Geibel
laughed and nodded, and the two worked their way quietly towards the
door.

"'This is the young people's house to-night,' said Wenzel, as soon as
they were outside; 'you and I will have a quiet pipe and a glass of hock,
over in the counting-house.'

"Meanwhile the dancing grew more fast and furious. Little Annette
loosened the screw regulating her partner's rate of progress, and the
figure flew round with her swifter and swifter. Couple after couple
dropped out exhausted, but they only went the faster, till at length they
were the only pair left dancing.

"Madder and madder became the waltz. The music lagged behind: the
musicians, unable to keep pace, ceased, and sat staring. The younger
guests applauded, but the older faces began to grow anxious.

"'Hadn't you better stop, dear,' said one of the women, 'You'll make
yourself so tired.'

"B