mention'd to vindicate Tragedy from
the small esteem, or rather infamy, which in the account of many it
undergoes at this day with other common Interludes; hap'ning through the
Poets error of intermixing Comic stuff with Tragic sadness and gravity;
or introducing trivial and vulgar persons, which by all judicious hath
bin counted absurd; and brought in without discretion, corruptly to
gratifie the people. And though antient Tragedy use no Prologue, yet
using sometimes, in case of self defence, or explanation, that which
Martial calls an Epistle; in behalf of this Tragedy coming forth after
the antient manner, much different from what among us passes for best,
thus much before-hand may be Epistl'd; that Chorus is here introduc'd
after the Greek manner, not antient only but modern, and still in use
among the Italians. In the modelling therefore of this Poem with good
reason, the Antients and Italians are rather follow'd, as of much more
authority and fame. The measure of Verse us'd in the Chorus is of all
sorts, call'd by the Greeks Monostrophic, or rather Apolelymenon,
without regard had to Strophe, Antistrophe or Epod, which were a kind of
Stanza's fram'd only for the Music, then us'd with the Chorus that sung;
not essential to the Poem, and therefore not material; or being divided
into Stanza's or Pauses they may be call'd Allaeostropha. Division into
Act and Scene referring chiefly to the Stage (to which this work never
was intended) is here omitted.

It suffices if the whole Drama be found not produc't beyond the fift
Act, of the style and uniformitie, and that commonly call'd the Plot,
whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three Tragic
Poets unequall'd yet by any, and the best rule to all who endeavour to
write Tragedy. The circumscription of time wherein the whole Drama
begins and ends, is according to antient rule, and best example, within
the space of 24 hours.

The Argument.

Samson made Captive, Blind, and now in the Prison at Gaza, there to
labour as in a common work-house, on a Festival day, in the general
cessation from labour, comes forth into the open Air, to a place nigh,
somewhat retir'd there to sit a while and bemoan his condition. Where he
happens at length to be visited by certain