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The Project Gutenberg EBook of Eugenie Grandet, by Honore de Balzac This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Eugenie Grandet Author: Honore de Balzac Translator: Katharine Prescott Wormeley Release Date: April, 1999 [Etext #1715] Posting Date: March 1, 2010 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK EUGENIE GRANDET *** Produced by John Bickers, and Dagny EUGENIE GRANDET By Honore De Balzac Translated by Katharine Prescott Wormeley DEDICATION To Maria. May your name, that of one whose portrait is the noblest ornament of this work, lie on its opening pages like a branch of sacred box, taken from an unknown tree, but sanctified by religion, and kept ever fresh and green by pious hands to bless the house. De Balzac. EUGENIE GRANDET I There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he encounters suddenly the pale, cold glance of a motionless person, whose half-monastic face peers beyond the window-casing at the sound of an unaccustomed step. Such elements of sadness formed the physiognomy, as it were, of a dwelling-house in Saumur which stands at the end of the steep street leading to the chateau in the upper part of the town. This street--now little frequented, hot in summer, cold in winter, dark in certain sections--is remarkable for the resonance of its little pebbly pavement, always clean and dry, for the narrowness of its tortuous road-way, for the peaceful stillness of its houses, which belong to the Old town and are over-topped by the ramparts. Houses three centuries old are still solid, though built of wood, and their divers aspects add to the originality which commends this portion of Saumur to the attention of artists and antiquaries. It is difficult to pass these houses without admir
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