FREE BOOKS

Author's List




PREV.   NEXT  
|<   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64  
65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   >>   >|  
st mentioned was of middle height, well-proportioned, and rather stout; the tone of his skin had no brilliancy; it was neither livid nor dead-white, nor colored, but gelatinous,--that word can alone give a true idea of the flabby, hueless envelope, beneath which were concealed nerves that were less vigorous than capable of enormous resistance at certain given moments. His eyes, of a pale cold blue, expressed in their ordinary condition a species of deceptive sadness, which must have had great charms for women. The forehead, finely cut, was not without dignity, and it harmonized well with the soft, light chestnut hair curling naturally, but slightly, at its tips. The nose, precisely like that of a hunting dog, flat and furrowed at the tip, inquisitive, intelligent, searching, always on the scent, instead of expressing good-humor, was ironical and mocking; but this particular aspect of his nature never showed itself openly; the young man must have ceased to watch himself, he must have flown into fury before the power came to him to flash out the sarcasm and the wit which embittered, tenfold, his infernal humor. The mouth, the curving lines and pomegranate-colored lips of which were very pleasing, seemed the admirable instrument of an organ that was almost sweet in its middle tones, where its owner usually kept it, but which, in its higher key, vibrated on the ear like the sound of a gong. This falsetto was the voice of his nerves and his anger. His face, kept expressionless by an inward command, was oval in form. His manners, in harmony with the sacerdotal calmness of the face, were reserved and conventional; but he had supple, pliant ways which, though they never descended to wheedling, were not lacking in seduction; although as soon as his back was turned their charm seemed inexplicable. Charm, when it takes its rise in the heart, leaves deep and lasting traces; that which is merely a product of art, or of eloquence, has only a passing power; it produces its immediate effect, and that is all. But how many philosophers are there in life who are able to distinguish the difference? Almost always the trick is played (to use a popular expression) before the ordinary run of men have perceived its methods. Everything about this young man of twenty-seven was in harmony with his character; he obeyed his vocation by cultivating philanthropy,--the only expression which explains the philanthropist. Theodose loved the People, for he
PREV.   NEXT  
|<   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   61   62   63   64  
65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82   83   84   85   86   87   88   89   >>   >|  



Top keywords:

ordinary

 

harmony

 

middle

 

colored

 
expression
 

nerves

 

pliant

 

supple

 

reserved

 

conventional


falsetto

 

seduction

 

lacking

 
descended
 
wheedling
 
command
 

expressionless

 

vibrated

 

sacerdotal

 

calmness


manners

 

higher

 

People

 
distinguish
 

difference

 

obeyed

 
philosophers
 
cultivating
 

vocation

 
Almost

methods
 

twenty

 
Everything
 

perceived

 
played
 

popular

 

character

 
effect
 

Theodose

 

leaves


lasting

 
turned
 

inexplicable

 

traces

 
instrument
 

philanthropy

 

passing

 

produces

 
eloquence
 

product