ot the beginning of an aptitude. How long
have you been here? A child of five after two lessons would draw better
than you do. I only say one thing to you, give up this hopeless attempt.
You're more likely to earn your living as a bonne a tout faire than as
a painter. Look."
He seized a piece of charcoal, and it broke as he applied it to the paper.
He cursed, and with the stump drew great firm lines. He drew rapidly and
spoke at the same time, spitting out the words with venom.
"Look, those arms are not the same length. That knee, it's grotesque. I
tell you a child of five. You see, she's not standing on her legs. That
foot!"
With each word the angry pencil made a mark, and in a moment the drawing
upon which Fanny Price had spent so much time and eager trouble was
unrecognisable, a confusion of lines and smudges. At last he flung down
the charcoal and stood up.
"Take my advice, Mademoiselle, try dressmaking." He looked at his watch.
"It's twelve. A la semaine prochaine, messieurs."
Miss Price gathered up her things slowly. Philip waited behind after the
others to say to her something consolatory. He could think of nothing but:
"I say, I'm awfully sorry. What a beast that man is!"
She turned on him savagely.
"Is that what you're waiting about for? When I want your sympathy I'll ask
for it. Please get out of my way."
She walked past him, out of the studio, and Philip, with a shrug of the
shoulders, limped along to Gravier's for luncheon.
"It served her right," said Lawson, when Philip told him what had
happened. "Ill-tempered slut."
Lawson was very sensitive to criticism and, in order to avoid it, never
went to the studio when Foinet was coming.
"I don't want other people's opinion of my work," he said. "I know myself
if it's good or bad."
"You mean you don't want other people's bad opinion of your work,"
answered Clutton dryly.
In the afternoon Philip thought he would go to the Luxembourg to see the
pictures, and walking through the garden he saw Fanny Price sitting in her
accustomed seat. He was sore at the rudeness with which she had met his
well-meant attempt to say something pleasant, and passed as though he had
not caught sight of her. But she got up at once and came towards him.
"Are you trying to cut me?" she said.
"No, of course not. I thought perhaps you didn't want to be spoken to."
"Where are you going?"
"I wanted to have a look at the Manet, I've heard so much about it.
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