that," said Aunt Louisa.

Philip did not believe in the accuracy of the Careys' statements. All they
distinctly remembered was that Miss Wilkinson had not got her hair up the
last time they saw her in Lincolnshire. Well, she might have been twelve
then: it was so long ago and the Vicar was always so unreliable. They said
it was twenty years ago, but people used round figures, and it was just as
likely to be eighteen years, or seventeen. Seventeen and twelve were only
twenty-nine, and hang it all, that wasn't old, was it? Cleopatra was
forty-eight when Antony threw away the world for her sake.

It was a fine summer. Day after day was hot and cloudless; but the heat
was tempered by the neighbourhood of the sea, and there was a pleasant
exhilaration in the air, so that one was excited and not oppressed by the
August sunshine. There was a pond in the garden in which a fountain
played; water lilies grew in it and gold fish sunned themselves on the
surface. Philip and Miss Wilkinson used to take rugs and cushions there
after dinner and lie on the lawn in the shade of a tall hedge of roses.
They talked and read all the afternoon. They smoked cigarettes, which the
Vicar did not allow in the house; he thought smoking a disgusting habit,
and used frequently to say that it was disgraceful for anyone to grow a
slave to a habit. He forgot that he was himself a slave to afternoon tea.

One day Miss Wilkinson gave Philip La Vie de Boheme. She had found it by
accident when she was rummaging among the books in the Vicar's study. It
had been bought in a lot with something Mr. Carey wanted and had remained
undiscovered for ten years.

Philip began to read Murger's fascinating, ill-written, absurd
masterpiece, and fell at once under its spell. His soul danced with joy at
that picture of starvation which is so good-humoured, of squalor which is
so picturesque, of sordid love which is so romantic, of bathos which is so
moving. Rodolphe and Mimi, Musette and Schaunard! They wander through the
gray streets of the Latin Quarter, finding refuge now in one attic, now in
another, in their quaint costumes of Louis Philippe, with their tears and
their smiles, happy-go-lucky and reckless. Who can resist them? It is only
when you return to the book with a sounder judgment that you find how
gross their pleasures were, how vulgar their minds; and you feel the utter
worthlessness, as artists and as human beings, of that gay procession.
Philip was enra