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" in Scriptural narrative, music has exerted a profound influence upon mankind, be it in peace or in war, in gladness or in sorrow, or in the tender sentiment that makes for love of country, affection for kindred or the divine passion for "ye ladye fair." Music knows no land or clime, no season or circumstance, and no race, creed or clan. It speaks the language universal, and appeals to all peoples with a force irresistible and no training in ethics or science is necessary to reach the common ground that its philosophy instinctively creates in the human understanding. The War Department was conscious of this and gave practical application to its theory that music makes a soldier "fit to fight" when it instituted, through the Commission on Training Camp Activities, a systematic program of musical instruction throughout the American Army at the home cantonments and followed up the work overseas. It was the belief that every man became a better warrior for freedom when his mind could be diverted from the dull routine of camp life by arousing his higher nature by song, and that he fared forth to battle with a stouter heart when his steps were attuned to the march by bands that drove out all fear of bodily danger and robbed "grim-visaged war" of its terrors. Skilled song leaders were detailed to the various camps and cantonments here and abroad, and bands galore were brought into service for inspiration and cheer. The emotional nature of the Negro fitted him for this musical program. The colored American was a "close up" in every picture from the start to the finish and was a conspicuous figure in every scenario, playing with credit and distinction alike in melody or with the musket. No instrumentality was more potent than music in off-setting the propaganda of the wily German agents, who sought to break down the loyalty of the Negro. The music he knew was intensely American--in sentiment and rhythm. It saturated his being--and all the blandishments of the enemy were powerless to sway him from the flag he loved. His grievances were overshadowed by the realization that the welfare of the nation was menaced and that his help was needed. American music harmonized with the innate patriotism of the race, and the majestic sweep of "The Star-Spangled Banner" or the sympathetic appeal of "My Country, 'Tis of Thee," were sufficient to counteract the sinister efforts of the missionaries of the Hohenzollerns to move him from his
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