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e inevitable separations of the actual stage-scene, and I think she regretted the necessity for these!) This figure was Barbara Jencks's, and hers were the cool, uncompromising eyes into which the enraptured devotee gazed when he followed his card into the drawing-room, hers the strong and knuckly hands that put his flowers into water and his more valuable expressions of regard back into their velvet cases, previous to re-addressing them. She drove with Margarita, when Sue Paynter did not, and would have ridden with her, I verily believe, had not Carter and I volunteered to supply that deficiency. It was she who received that astonished and, I fear, disappointed kiss from the German officer at Brussels, when the students drew Margarita's carriage home from the opera house after her astonishing triumph in the last act of _Siegfried_. It was an absurd part for her--she had never done _Elsa_ nor _Elizabeth_, and Mme. M----i was very angry with her. Herr M----l, the great director, spent the summer in Italy and Switzerland and was with our party nearly all of the time. Purely to please himself he taught Margarita the role of _Bruenhilde_ in _Siegfried_ and insisted on her singing it that winter in Brussels under him. It was wonderful, and showed me what her real _forte_ was to be. She was _Bruenhilde_, she did not need to act it. How the Master himself would have revelled in her! She was very teachable--one of the most certain indications of her great capacities. Her _Marguerite_ was almost entirely her own, for she had not learned how to use dramatic instruction; her _Aida_ was almost Madame's own, for she had learned, then, and besides, did not understand the character; her _Bruenhilde_ was herself, trained and assisted into the best canons of interpretation by a loyal Wagnerian. It is a short part, of course, but it showed what she could have done with the rest of it. At thirty-five she could have done the whole _Ring_; at forty I believe no one could have equalled her. Carter got himself snarled hopelessly into a tangle with the government officials in Berlin (he was no diplomat, though a good fellow, and wild about Margarita, so that poor little Alice had more than one bad quarter-hour, I'm afraid) and it took Roger a great deal of Bradley influence with the American consul and a lot of patient correspondence to unravel his unlucky brother-in-law. This gave Roger a good excuse for being in and near Germany; wheth
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