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cares had made it white. He spoke of himself without affectation as a very old man, and apparently he often thought, as he was engaged in some work, "this is the last time I shall do this." He seems to have taken it for granted that he was not to live long; but this neither slackened his industry nor made him gloomy. And he had in truth spent a life of almost unremitting laboriousness. Those early years as surveyor and Indian fighter and pathfinder were years of great hardships. The eight years of the Revolution were a continuous physical strain, an unending responsibility, and sometimes a bodily deprivation. And finally his last service as President had brought him disgusts, pinpricks which probably wore more on his spirits than did the direct blows of his opponents. Very likely he felt old in his heart of hearts, much older than his superb physical form betokened. We cannot but rejoice that Nelly Custis flashed some of the joyfulness and divine insouciance of youth into the tired heart of the tired great man. [Footnote 1: Irving, V, 277.] Perhaps the best offhand description of Washington in these later days is that given by an English actor, Bernard, who happened to be driving near Mount Vernon when a carriage containing a man and a woman was upset. Bernard dismounted to give help, and presently another rider came up and joined in the work. "He was a tall, erect, well-made man, evidently advanced in years, but who appeared to have retained all the vigor and elasticity resulting from a life of temperance and exercise. His dress was a blue coat buttoned to the chin, and buckskin breeches."[1] They righted the chaise, harnessed the horse, and revived the young woman who, true to her time and place, had fainted. Then she and her companion drove off towards Alexandria. Washington invited Bernard to come home with him and rest during the heat of the day. The actor consented. From what the actor subsequently wrote about that chance meeting I take the following paragraphs, some of which strike to the quick: [Footnote 1: Lodge, II, 277.] In conversation his face had not much variety of expression. A look of thoughtfulness was given by the compression of the mouth and the indentations of the brow (suggesting an habitual conflict with, and mastery over, passion), which did not seem so much to disdain a sympathy with trivialities as to be incapable of denoting them. Nor had his voice, so far as
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