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moth round the candle. "No, really, I can't." "Yes you can," from Dan McCoy, who is on the alert; "I see your piercin' black eyes comin' right through the hankitchif." "Get along, then," cries Adams, twirling Sally round, and skipping out of the way. It is not the first time the women have played at that game, and their short garments, reaching little below the knees, seem admirably adapted to it, while they glide about with motions little less easy and agile than those of the children, and cause the roof to ring with laughter at the various misadventures that occur. Mrs Adams, however, does not join. Besides being considerably older than her husband, that good woman has become prematurely short-sighted and deaf. This being so, she sits in a corner, not inappropriately, to act the part of grandmother to the players, and to serve as an occasional buffer to such of the children as are hurled against her. Now, Otaheitan Sally, having gone rather cautiously about without catching any one except Charlie--whom she pretends not to know, examines from head to foot, and then guesses wrong on purpose--becomes suddenly wild, makes a desperate lunge, as she thinks, at Dan McCoy, and tumbles into Mrs Adams's lap, amid shouts of delight. Of course Dan brought about this incident by wise forethought. His next success is unpremeditated. Making a pull at Sally's skirt, he glides quickly out of her way as she wheels round, and hits Mainmast an unintentional backhander on the nose. This is received by Mainmast with a little scream, and by the children with an "Oh! o-o" of consternation, while Sally, pulling down the handkerchief, hastens to give needless assurance that she is "_so_ vexed," etcetera. Susannah joins her in condoling, and so does widow Martin; but Mainmast, with tears in her eyes, (drawn by the blow), and a smile on her lips, declares that she "don't care a button." Sally is therefore blindfolded again. She catches Charlie Christian immediately, and feeling that there is no other way of escaping from him, names him. Then Charlie, being blindfolded, sets to work with one solitary end in view, namely, to capture Sally. The injustice to the others of this proceeding never enters his innocent mind. He hears no voice but Sally's; he clutches at nobody but Sally. When he is compelled to lay hold of any one else, he guesses wrong, not on purpose, but because he is thinking of Sally. Perceiving this, S
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