| ou are not far wrong in your judgment respecting _Wuthering
    Heights_ and _Agnes Grey_.  Ellis has a strong, original mind, full
    of strange though sombre power.  When he writes poetry that power
    speaks in language at once condensed, elaborated, and refined, but in
    prose it breaks forth in scenes which shock more than they attract.
    Ellis will improve, however, because he knows his defects.  _Agnes
    Grey_ is the mirror of the mind of the writer.  The orthography and
    punctuation of the books are mortifying to a degree: almost all the
    errors that were corrected in the proof-sheets appear intact in what
    should have been the fair copies.  If Mr. Newby always does business
    in this way, few authors would like to have him for their publisher a
    second time.--Believe me, dear sir, yours respectfully,
                                                                'C. BELL.'
When _Jane Eyre_ was performed at a London theatre--and it has been more
than once adapted for the stage, and performed many hundreds of times in
England and America--Charlotte Bronte wrote to her friend Mr. Williams as
follows:--
                              TO W. S. WILLIAMS
                                                  '_February_ 5_th_, 1848.
    'DEAR SIR,--A representation of _Jane Eyre_ at a minor theatre would
    no doubt be a rather afflicting spectacle to the author of that work.
    I suppose all would be wofully exaggerated and painfully vulgarised
    by the actors and actresses on such a stage.  What, I cannot help
    asking myself, would they make of Mr. Rochester?  And the picture my
    fancy conjures up by way of reply is a somewhat humiliating one.
    What would they make of Jane Eyre?  I see something very pert and
    very affected as an answer to that query.
    'Still, were it in my power, I should certainly make a point of being
    myself a witness of the exhibition.  Could I go quietly and alone, I
    undoubtedly should go; I should endeavour to endure both rant and
    whine, strut and grimace, for the sake of the useful observations to
    be collected in such a scene.
    'As to whether I wish _you_ to go, that is another question.  I am
    afraid I have hardly fortitude enough really to wish it.  One can
    endure being disgusted with one's own work, but that a friend should
    share the repugnance is unpleasant.  Still, I know it would interest
    me to hear both |