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he fame of the successful in San Francisco, used to play ingenious jokes upon it. O'Ryan was possibly the only man of any time who could draw the sting of a practical joke. They dwelt, twin-regnant over this world of theirs, in sisterly harmony. Stallard declared always that a final gift of fate and the gods preserved them to harmony: their tastes in men differed. They had choice enough, God wot--poets and novelists struggling on the verge of fame; attractive, irresponsible, magnetic journalists, destined never to arrive anywhere, but following a flowery path along which a woman might smile; sons of new-rich millionaires who followed and backed and corrupted the artists of that budding Paris which never blossomed; two painters, among many, who got both fame and wealth before they were done. In his later years, one asked Tyson the English novelist, connoisseur of women if there ever was one, whom he esteemed the prettiest and whom the wittiest among the women he had known and studied. "For wit, Lady Vera Loudon," he said, "and after her, a quite remarkable woman I met in San Francisco out on the West Coast of America--of all places." Tradition has enlarged this reply to make Matilda Sturtevant his prettiest as Alice was his wittiest. Matilda's fresh beauty of the devil, her full yet delicate beauty of the twenties and early thirties, live in the galleries of Europe. The painters all had their try at her; she lived in creation which ran the line between miniatures and heroic canvases. Lars Wark, perhaps the least considered of all her painter friends, is the one that triumphed most of all. Who does not know his Launcelot and Enid? The Enid, of a beauty so intelligent, so wistful and so good--she is Matilda Sturtevant, hardly idealized. These twin graces married within two years of each other. Of course, they chose strangely. Matilda, whose beauty might have graced the head of the table in any one of three gaudy mansions on Nob Hill, chose Edward C. Tiffany, attorney, politician in a small but honorable way, man about town--and much older than she. Alice, following quietly, accepted Billy Gray, journalist--a clever reporter with no possibilities beyond that; a gentleman, it is true, and a man of likeable disposition, but on the whole the least desirable of all her followers. Billy and Alice Gray lived out the three years which were all they ever had of matrimony, in a Latin quarter garret, transformed into a
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