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decay of mediaevalism: "For, indeed, a change was coming upon the world, the meaning and direction of which even still are hidden from us, a change from era to era. The paths trodden by the footsteps of ages were broken up; old things were passing away, and the faith and the life of ten centuries were dissolving like a dream. Chivalry was dying; the abbey and the castle were soon together to crumble into ruins; and all the forms, desires, beliefs, convictions of the old world were passing away, never to return. A new continent had risen up beyond the western sea. The floor of heaven, inlaid with stars, had sunk back into an infinite abyss of immeasurable space; and the fair earth itself, unfixed from its foundations, was seen to be but a small atom in the awful vastness of the universe. In the fabric of habit which they had so laboriously built for themselves, mankind were to remain no longer. And now it is all gone--like an unsubstantial pageant faded; and between us and the old English themselves a gulf of mystery which the prose of the historian will never adequately bridge. They cannot come to us, and our imagination can but feebly penetrate to them. Only among the aisles of the cathedrals, only before the silent figures sleeping on the tombs, some faint conceptions float before us of what these men were when they were alive, and perhaps in the sound of church bells, that peculiar creation of the middle age, which falls upon the ear like the echo of a vanished world." Although Froude cared little for music, the rhythm of his sentences is musical, and the organ-note of the opening words in the quotation carries a reminiscence of Tacitus which will not escape the classical reader. That is literary artifice, though a very high form of it. The real merit of the paragraph is not so much its eloquence as its insight into the depth of things. Many respectable historians see only the outward lineaments. Froude saw the nation's heart and soul. It was the same with the great man whose biographer Froude became. Carlyle's faults would have been impossible in a character mean or small. They were the defects of his qualities, those Fears of the brave, and follies of the wise, which do not wait to appear till the last scene of life. Now that more than twenty years have passed since the final volumes of the Life were published, it may be said with confidence that Carlyle owes almost as much to Froude as to his own writing
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