to one version of the story, Renaud
died in a hermitage, in the odor of sanctity; but if we are to believe
another, he journeyed on to Cologne, where the cathedral was being built,
and labored at it night and day. Exasperated by his constant activity,
which put them all to shame, his fellow-laborers slew him and flung his
body into the Rhine. Strange to relate, however, his body was not carried
away by the strong current, but lingered near the city, until it was
brought to land and interred by some pious people.
Many miracles having taken place near the spot where he was buried, the
emperor gave orders that his remains should be conveyed either to
Aix-la-Chapelle or to Paris. The body was therefore laid upon a cart, which
moved of its own accord to Dortmund, in Westphalia, where it stopped, and
where a church was erected in honor of Renaud in 811. Here the saintly
warrior's remains were duly laid to rest, and the church in Dortmund still
bears his name. A chapel in Cologne is also dedicated to him, and is
supposed to stand on the very spot where he was so treacherously slain
after his long and brilliant career.
CHAPTER X.
HUON OF BORDEAUX.
It is supposed that this _chanson de geste_ was first composed in the
thirteenth century; but the version which has come down to us must have
been written shortly before the discovery of printing. Although this poem
was deservedly a favorite composition during the middle ages, no manuscript
copy of it now exists. Such was the admiration that it excited that Lord
Berners translated it into English under Henry VIII. In modern times it has
been the theme of Wieland's finest poem, and of one of Weber's operas, both
of which works are known by the title of "Oberon." It is from this work
that Shakespeare undoubtedly drew some of the principal characters for his
"Midsummer-Night's Dream," where Oberon, king of the fairies, plays no
unimportant part.
[Sidenote: Charlot slain by Huon.] The hero of this poem, Huon of Bordeaux,
and his brother Girard, were on their way from Guienne to Paris to do
homage to Charlemagne for their estates. Charlot, the monarch's eldest son,
who bears a very unenviable reputation in all the mediaeval poems,
treacherously waylaid the brothers, intending to put them both to death. He
attacked them separately; but, after slaying Girard, was himself slain by
Huon, who, quite unconscious of the illustrious birth of his assailant,
calmly proceeded o
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