ou must go in at."

Yorke nodded, smiling, and doubling his white fists, hit out
scientifically with his right.

"You're one after the Squire's own heart," exclaimed the keeper,
admiringly; "and I do wish you could foregather with him. What a reach
of arm you've got, and what a play of muscle! The fist is the weapon for
a poacher--that is, I mean _agin_ him--if you only know how to use it. I
can depend on the Decoy being guarded by ten, Sir, can I? for I must be
off to the head-keeper's with the rest."

"Yes, you can."

"Then, good-by, Sir, for the present."

"Now what a poor fool is that!" soliloquized the young painter,
contemptuously, as the door closed upon his late companion. "To think
that I should risk my life against a poacher's on even terms! Of course,
if they suffice, I shall only treat him to my knuckles; but if not--if
he be a giant, or there be more than one of them--then here is a better
ally than mere bone and sinew." Yorke took out of a drawer a
life-preserver, made of lead and whalebone, struck with it once, to test
its weight and elasticity, then slipped it into his shooting-jacket
pocket. "That will enlarge their organs of locality," said he, grimly;
"they will not forget the Decoy Pond in a hurry whose heads knock
against this."

He made a better supper than was usual with him that night; filled his
pocket-flask with brandy, and his pouch with tobacco; and then making
sure that the whistle Grange had given him, and which he had hung round
his neck, was within easy reach of his fingers, sallied out, well
wrapped up as to his throat, and with his hands in his pockets. If
Richard Yorke was doomed not to have life made easy for him, he made it
as easy as he could. He never omitted a precaution, unless it gave him
trouble to take it out of proportion to the advantage it conferred; he
was never imprudent, unless the passion of the moment was too strong for
him; but sometimes, unfortunately, his mere whims were in their
intensity passions, and his passions, while they lasted, fits of
madness. He was a landscape-painter, partly because he had some taste
that way, but chiefly because he hated regular work of any sort. He had
no real love for his art, and not the least touch of poetic feeling. He
knew an oak from a beech-tree, and the sort of touch that should be used
in delineating the foliage of each; a yellow primrose was to him a
yellow primrose, and he could mix the colors deftly enough which made