th a
taste for refined amusement, and that advantageously. There is nothing
austere in any page of the _Amulet_, nor anything so frivolous and light
as to be objectionable; but it steers in the medium, and consequently
must be acceptable to every well-regulated mind. Indeed, many of the
pieces in the present volume may be read and re-read with increased
advantage; whilst two only are unequal to the names attached to them.

* * * * *

THE GEM.

_Edited by Thomas Hood, Esq._

The present is the first year of the _Gem_, which, as a work of art or
literature, fully comes within the import of its title. It is likewise
the first appearance of Mr. Hood as the editor of an "annual," who, with
becoming diffidence, appears to rely on the "literary giants" of his
muster-roll, rather than on his individual talent. Notwithstanding such
an editorship must have resembled the perplexity of Sinbad in the Valley
of Diamonds, Mr. Hood's volume is almost unexceptionably good, whatever
he may have rejected; and one of the best, if not _the best_, article in
the whole work, has been contributed by the editor himself. Associated
as Mr. Hood's name is with "whim and oddity," we, however, looked for
more quips, quirks, and quiddities than he has given us, which we should
have hailed as specially suited to the approaching festive season, and
from their contrast with the contents of similar works, as more likely
to attract by their novelty and humour.

The embellishments of the _Gem_, fifteen in number, have been selected
by A. Cooper, Esq. R.A. _The Death of Keeldar_ is a beautiful
composition by Mr. Cooper, and is worthy of association with Sir Walter
Scott's pathetic ballad. _The Widow_, by S. Davenport, from a picture by
R. Leslie, R.A. is one of the most touching prints we have yet seen, and
every one is capable of estimating its beauties, since its expression
will be sure to fasten on the affections of the beholder. _May Talbot_,
by J.C. Edwards, from a painting by A. Cooper, is admirable in design
and execution. Of the _Temptation on the Mount_, engraved by W.R. Smith,
after Martin, we have spoken in our accompanying Number; but as often as
we look at the plate, we discover new beauties. It is a just idea of
"all the kingdoms of the earth;" the distant effect is excellent, and
the "exceeding high mountain" is ably represented. The faces in the
_Painter's Study_ are decidedly superior to the rest of t